Combining natural light and flash can be tricky, but photographer Axel Rivera shared a perfect example of such image with us. He shot this gorgeous portrait in quite tricky conditions – it was during the sunset, the model was backlit, and he only had one strobe. But he did a great job, and he kindly shared his setup, tips, and tricks with DIYP.
There is a progression that takes place in the journey that is our lighting knowledge. At first it is learning the ways of ambient light (read: I don’t want to buy a flash). As our career progresses we decide to buy our first flash and throw that sucker straight on the camera, only to question why the shadows on faces are gone… along with the artistic merit. Soon after that we discover a site like Strobist and point the flash at the ceiling and realize our first “Eureka” moment as a photographer. From there we buy our first off camera strobes and it is all downhill…
Apart from new digital solutions in photo and video technology, it seems that this year the analog and “back to the roots” approach caused the most reactions. After CES 2017, we’re left with many news and impressions. With all the innovations, it’s still something vintage that made the most of us thrilled. It’s launching something new, which is actually old. Yes, I’m talking about Kodak bringing back Ektachrome, and possibly even Kodachrome.
This made me think about the “old days” and how technological innovations in photography were observed back then. And then I saw this video. It’s over 50 years old Kodak commercial, showing their latest technology at the time – the Flashcube.
Flash photography is harmless more often than not. But there are times when the powerful flash of cameras can do damage to things, both living and inanimate.
One of the latest examples detailing how flash photography can harm a living creature is shared in a recent PSA given by the Florida Fish and Wildlife Conservation Commission (FWC).
According to the announcement, taking flash photos of sea turtles can interfere with the reproduction habits of the reptiles by disorienting the mothers while making their nests, which house the little ones throughout the incubating and hatching process. [Read more…]
Stroboscopic flash photography is basically putting your camera on a slow shutter speed and firing bursts of strobe lighting to freeze moments in action for a “double exposure image” on acid, so to speak. When David Einar was booked for a shoot with the Linköping Hockey Club in Sweden, he wanted to convey the full sense of action embodied in the fast-paced game. So he turned to the stroboscopic technique to create adrenaline action in these incredible images.
The iPhone wow-ed us all when it first came on the scene in 2007, and over the years we have seen how photographers, both amateur and professional, have used it to create some pretty stunning images. Even as far back as 2010 the guy at FStoppers amazed us with their iPhone fashion shoot using a 3gs. But, there has always been the limitation of not being able to pair off-camera strobe lighting with the little device.
Those days are over, thanks to Tric, a new wireless flash trigger for the iPhone system.
Blair Bunting had all of three days to play around with his new Profoto B1 lights before he set out to photograph that awesome parallax Superbowl commercial for National Bank of Arizona. In case you missed it, you can watch it at the bottom of the post, but first, you can take a look at how he captured the ultra high definition moving photos in the 12-minute long behind the scenes clip he just posted over on Vimeo.
Bunting calls the gorgeous technique parallax, a term he borrowed and explains like this:
“What is parallax? Think of when you were in grade school and you had to do one of those cheesy plays…there is always a part in that play where some kid is on a boat made of a tricycle and cardboard, and they are in the rough ocean. In order to create this imaginary ocean in the elementary school cafeteria, they use whats called parallax. This is where they have on set of blue waves on a stick in front of the kid and one behind. The movement of these waves back and forth creates in your mind the idea of the ocean.”
The paparazzi can be a pain in the butt if you’re a celebrity, assuming you didn’t call them on yourself, but a line of concept clothing is threatening to fight back.
The brainchild of Chris Holmes, who you might have seen DJing for Sir Paul McCartney, the Anti-Paparazzi Collection consists of clothes designed to bounce back the paparazzo’s flash and overexpose the photos. The flash-back is attained thanks to the reflective threads of which the clothes are made.
Even if launched, the clothes won’t render Roman Abramovich’s anti-paparazzi laser useless.
Regardless of skill level, we’ve all made at a least a few of these common photography faux pas. Even pros like Jeff Cable are guilty of a few, which is precisely why he’s here to share his experiences and advice on how you can recognize the mistakes as you’re committing them and what you can do correct it.
The clip is about an hour long, but don’t let that deter you. Jeff is an outstanding educator who knows how to keep it light, fun, and engaging. Watch the video here, then we’ll recap the list for you after the jump…
If you’ve been reading my posts here at DIY Photography for a while, you probably already know that I generally don’t spend too much time on some of the more technical aspects of photography. I’ve covered legal issues, written some fun reviews, and put some myths to rest, but I pretty much spend most of my time here howling at the moon. Okay– maybe not literally howling at the moon, but the opportunity to share whatever random thoughts have been bouncing around in my head a couple of times each week is a privilege I don’t take lightly– even when I’m ranting. I’ve decided that today’s going to be a little bit different. Today we’re geeking out and deciphering one of the greatest photographic mysteries of all time– your flash’s guide number.