Incredibly, Model Holds Breath for 4 Minutes to Shoot Underwater Video in a Single Take

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Holding my breathe for even a minute is a difficult task, let alone for four minutes straight.  And I can’t say that I’ve ever been tied up and sunk to the bottom of a pool.  But, for free diver Marina Kazakova, it’s all in a days work.

Lydia is a song about a failed relationship,” says Johnny Stevens of Highly Suspect, “and how it can be kind of tragic sometimes when two people’s life choices lead them in different directions but their love is still there.”  Apparently, drowning a woman was the best way to communicate that (said in all jest).

The incredible music video, brought to life by Pier Pictures, was shot a single 4-minute underwater take, during which Marina held her breath the entire time.  Now we get a look behind the scenes of how this inspiring film was created.

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Become a Better Filmmaker by Watching Bad Movies

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It has been my experience in life that you learn the most from past mistakes, whether they be of your own doing or from someone else.  (Unfortunately, sometimes I have to make the same mistake several times before I finally catch on and move forward.)  The same goes in the creative world.  Being able to identify the bad can help us be able to more easily identify the good.

Darious Britt advocates just that in a recent video he shared on his YouTube channel.  As he says in the 5-minute clip, “If you’re a doctor, how can you get good at diagnosing sick patients if all you’ve ever evaluated are healthy patients?”  And he’s right.  Analyzing great movies (and I venture to postulate that there are very few that fall into this category) is also a good practice when learning and honing your own skills, but it’s much harder to see what is truly great in it until you can understand what is truly bad.

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How To Use the Invisible Split Screen Effect To Add Drama To Your Films

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Timing is a huge component of successful filmmaking.  So is framing.  And director David Fincher has a good handle on both.

There are a variety of reasons to use invisible split-screen composites in filmmaking, from honing the timing of shots to multiplying your actors on small-budget projects.  When properly applied, this technique can be used as a tool to craft a dynamically powerful scene and is a trick that Fincher admits to implementing countless times throughout each of his films.

In this tutorial, Ben Gill gives us a breakdown of the technique, how masters like Fincher apply it, and how you can create it yourself.

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High School Student Gets Famous Peruvian Actor to Star In His Film

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Kids these days often leave me scratching my head.  However, in what I would describe as making my entire scholastic career look like an extended daycare session, 17-year-old Alex Fischman created La Vieja Quinta.

Fischman, a student at Colegio Franklin Delano Roosevelt in Lima, Peru, created the short film for a high school project. It is an impressive film for someone of any age, let alone a high schooler, and is unlike any other I’ve seen produced from students in a similar age bracket. With elements of humor and a look at human connection, it carries with it a deep sense of emotion.

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Tell a More Dramatic Story With This Simple Video Editing Technique

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At its heart, filmmaking has always been about telling a story.  It doesn’t matter if it’s a 30-second commercial, a short documentary for the local festival, or a blockbuster hit, the purpose is to communicate some form of narrative to the audience (perhaps with the exception of blockbuster hits…they’re simply about money).  The problem sometimes lies in knowing how to communicate that story and aligning all the pieces of the puzzle for maximum impact.

In one of the installments to his instructional series Inside the Edit, filmmaker Paddy Bird gives us a look at “dramatic sync tempo decompression” and how to use this simple editing technique to make the most of your next film project, includes interviews or narrative stories.

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Seamless Follow Focus Ring From Cinegear Provides Uninhibited 360-Degree Rotation

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One hassle with dSLR video is having to attach follow focus rings to your lenses, often with a clunky bracket or closure to hold them in place.  From my experience, these brackets frequently get in the way or have to be adjusted around the lens as your change focusing distance significantly.  Now, perhaps inconvenience is your thing, but, personally, I find it annoying.

Cinegears, the Canadian purveyors of remote lens control systems, created a seamless focus ring that can be sized to fit your lens, without all the clunkiness we previously discussed.

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PocketSkater2 – The 1lb Camera Dolly That Fits In Your Pocket

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I am a naturally skeptical person.  So, it was only natural that, when I first saw the PocketSkater2, I was a wee bit skeptical.  There are numerous mini dolly hacks with subpar performance out there, so I wasn’t expecting much from a device claiming to be small enough to “fit in your pocket.”  But, I was surprised.

Edelkrone, the same guys who brought us the Wing railless slider concept last year, have done, in my most humble estimation, a great job on this project.

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Video Production: how to properly slate and what to avoid


You see it all the time in quirky behind-the-scenes videos and outtake reels, but slating, the practice of slapping down the arm on that cool little clapper thing at the beginning of a video shot, is more of an art form that most people realize. And, when I say art form, I mean this in the same way that driving a vehicle without running over pedestrians like Grand Theft Auto Gone Wild is a fine-honed skill. Slating is what video editors go by in post production to match video shots with the correct audio tracks and synchronize them so it doesn’t end up looking like a re-dubbed foreign film.

Tomm Jacobson, who bears a striking resemblance to Jimmi Simpson, gives us the lowdown on how you should and shouldn’t slate.

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