Since then, they’ve added six more, created a collection of smartphone apps and even developed an artist grant ‘that provides artists the resources to pursue their creative vision, no matter what the medium.’
To honor its 4 year anniversary, VSCO has decided to drop the price of all seven of its film packs to $59, almost 50% off what they usually sell for at the time of release.
Past and present film shooters will love this short video while newcomers to photography will scratch their heads wondering what’s going on.
Robert Marshall of Round One Films captured the entire film process, step-by-step, from beginning to end.
You’ll have to imagine the smell, but the sounds and sights of this critically endangered process were beautifully captured.
Close your eyes and see if you can recognize each step by sound alone.
This limited edition, hand-rolled film is available in extremely limited quantities and only available through Lomography. Because Donau is made out of material used in post-production that isn’t typically used in cameras, it gives your photos a strikingly distinct look—grab your roll today and see the results for yourself!
Imagine this: In your 20’s you were a fashion model for Versace, Franco Moschino, and Missoni while living it up in the likes of Milan, and Paris. The success you found there led you to New York City where you found acting gigs in shows like Sex and The City and in an ad directed by the great Martin Scorsese. At the time, you were living in a one room dwelling in Chelsea, but they offered you $30,000 to vacate as the area entered gentrification. Smartly, you used the money to move to Rio and hone your photography skills, before moving back to NYC to photograph for the likes of Diane von Furstenberg and magazines like Dazed and Confused.
If that were your life, where would you picture yourself living? In swank high rise in Manhattan? Maybe a nice spread back in the south of France? What about stealthily camping under a tarp on the rooftop of a unsuspecting friend’s NYC apartment? [Read more…]
Out of the top ten highest-grossing films of 2014, nine were either sequels or reboots for franchises already long-established – the remaining film was Christopher Nolan’s Interstellar. With the current film industry an unarguable golden age for comic book adaptations, it’s become customary for most studios to play it safe and rely on audience familiarity to sell their productions. And it’s unfortunate – original stories like Edge of Tomorrow end up suffering in sales as a result while at the same time gaining critical acclaim (Edge of Tomorrow was even retitled Live Die Repeat around the time of its home video release in an attempt to re-market the film).
Given the criticisms warranted towards Interstellar (Oh man, that dialogue…), it was still refreshing to see a new, original, and all-around good science fiction film become a box-office blockbuster in the middle of Oscar season. For directors not as well-known as Nolan, making a film like that is a particular risk when taking sales into account; back in 2013, Director Joseph Kosinski took that exact risk with the release of his second film. After his debut with Tron: Legacy, Kosinski brought the cinematographer Claudio Miranda on board once more for a story he’d been working on since 2005. The result was a film released eight years later, titled Oblivion.
Here’s a really in depth behind the scenes look at an aspect of photography and cinematography that we rarely get to experience. As part of their 100th anniversary, Universal Studios gave the iconic 70’s film (that’s given sharks everywhere a bad rap) a breath of fresh air. The mini documentary is pretty interesting as it walks you through the entire remastering process from start to finish.
The original reel, which was shot on 35mm film, had suffered some damage throughout the years and would need to be repaired. They used a wet transfer film gate to repair the scratches, which essentially scanned the original negatives while they were wet. It’s actually a really neat process and you can see more of it in the 8:30 minute mini-doc below. You’ll also be treated to a peak at the digital editing process, along with some before and after shots which are pretty astounding.
Out of everything I’ve learned when it comes to photography, what strengthened my work the most was watching movies. Much of how I shoot my pictures today came from observing and comparing different directors and cinematographers. It’s why I started writing about film at all here in the first place – We’re not No Film School, but it’s still never a bad thing to learn from a good looking movie. Most of us are familiar with the concepts covering film direction and cinematography in general – but considering this is at heart a “DIY” blog, I thought it’d be cool to give a visual presentation on just how much both factor into the end result of a film. So let’s compare two relatively recent films that adapt the same source material: Stieg Larsson’s The Girl with the Dragon Tattoo.
Kids reacting to stuff that didn’t exist anymore when they were born is hilarious. TheFineBros recently let kids react to an old-school point-and-shoot film camera, the final video is incredibly funny but see for yourself:
Here are a couple of the best things the kids said in response to the cam: