In a world that is so obsessed with selfies, it’s hard to stand out from the crowd, but the unusual technique adopted by American photographer, Brigette Bloom, may just steal the show. Bloom, an advocate for film photography, soaks rolls of film in her own urine before exposing it. Yes, you read that correctly, she pees on unprocessed film.
The Nikon Photo Contest has been running annually since 1969. Even with roots that go back, however, the company isn’t afraid to move on and not look back. With the announcement for this year’s contest also came news that Nikon is banning film photography again.
That’s right. Again. I’d tell you that there’s old vintage Nikon cameras out there right now going “Et tu, Brute?” to the news, but apparently the company’s had this rule for a while now in the contest’s past few yearly runs; there’s absolutely no scans of film pictures allowed in entry.
with the slow decay of film it is getting harder and harder to find film to use on old (or new) cameras that use 120 film. Even you do find 120 film (hint Amazon, eBay) it is not trivial to develop (not to mention expensive). But what if you have a Diana or a treasured Mamiya that you want to use? You can still use them with 35mm film if you can manage to load the film into the spool in a way that you can wind it after each shot.
The photos you take will not be restricted to the 35mm frame that you are accustomed to, but go all over the sprockets. It’s a pretty cool effect if you ask me.
Here are three ways with ranging budgets, innovation levels and description to use 35mm film on 120 cameras: [Read more...]
To be honest, I have not backed up images on CDs for over 10 years now. But back in the days when a D70 RAW file was about 5MB it made sense. You could fit about 140 RAW photos on one CD. Or if you back up a few years earlier, photo labs would provide film scans on CDs, with the average size of 3MB per scan, a CD would hold over 200 photos.
Any why not? CDs were cheap, easily stored and cataloged and they would last forever. Right? Wrong. It turns out that the lifespan of CDs is not as long as everyone initially thought. And it also turns out that CDs are more susceptible to the elements than we thoughts. And your old photo collection stored on CDs and DVDs is probably dying s you read.
This is a cool idea I wish I could have come up with myself. Photographer Francois Dourlen has a signature move where he shoots with his iPhone – well, not with his iPhone, but with his iPhone incorporated into the picture itself. Recently he picked up an interesting hobby where he saves stills from movies he likes onto his iPhone; what he does with them is unique, fun, and incredibly simple. As he goes on about his day, he takes those stills on his phone and shoots photos of them being implemented into real life scenery that – you might say – completes the picture.
Last Friday, I did my second entry in a weekly feature I started on the work of cinematographers. That entry covered Jeff Cronenweth, who is known for his work with David Fincher in films like The Social Network, Fight Club, and The Girl with the Dragon Tattoo. I wanted to write a follow-up to that today, because I think it’s called for in this case. Jeff Cronenweth is the son of the late Jordan Cronenweth, and he learned quite a bit from his father. This article will go over one film by him that ultimately, along with his son, became one of his life’s most impactful legacies: Blade Runner.
AJA is one of the most respected names in the video production business, and their presence at the NAB Show was bound to bring about high expectations. With the announcement of their newest video camera, it looks like they intend to deliver. At their keynote presentation, alongside a variety of mid and high-range products, AJA introduced the Cion.
A cinematographer is also known as a director of photography. They’re the guys that make the movies we watch look how they look. It’s their photographic eye that we see. And they don’t get too much recognition for the work they do, with most of the attention going towards the director and actor already. I wanted to write about a few good ones and see if it can become a weekly thing if you guys are into it. You probably know the work these guys have done, so I’ll cover what they did to get the shots that we see on the big screen.
If this is going to be the first out of more to come, I’ll start it off with a bang by focusing it on Roger Deakins.
I’ve written before about what shooting film means to me, and I almost always have a film camera in my bag alongside my digital arsenal. I find it relaxing. In many ways it becomes something of a ritual for me. Loading the film. Advancing the frames. Resetting the counter. Taking my time. Doing my best to make every frame count. Don’t even get me started on barricading myself in the darkroom for hours on end. I know that a lot of photographers talk about “making” photos rather than “taking” them, but nothing brings that sentiment home for me more than shooting film. Thankfully, there are legions of photographers out there who still enjoy shooting film– even if just occasionally– which means that there are still companies catering to our need for the film experience. One such company is Lomography, a website dedicated to cameras, films, lenses, and accessories. I recently had the chance to build and test their Konstruktor DIY Kit.
Thanks to Planet 5D for the heads up on this!
Disclaimer: if you have a weak wallet, then don’t read this.
Actually, in this case, all of our wallets are most likely crying in the corner, so it’s okay. Just appreciate the camera, I guess.
Panasonic took part in a press conference just yesterday in New Jersey, where it announced a new entry targeted towards the high-high-high end market of cinema. The 4K camera/video-recorder is titled the VariCam 35 (AU-VREC1), and it claims to be a powerhouse in handling a variety of formats.