Let’s face it, nearly everyone has access to a camera of some sort. While that sort of access can be seen as a good thing, it also has it’s downfalls. With everyone and taking photographs of everything they see, it seems nearly impossible to get noticed as a street photographer nowadays. Even if your work is really good. So when I come across an upcoming–and entirely self-taught- photographer with the natural talent Norman Eric Fox has, I feel like I owe it to myself (and to the photographer) to stop and really pay attention to the work in front of me. And what’s more, Fox, a Vancouver based street photographer, has an especially heartwarming story to tell.
Why do I focus on Vision so much? It’s because I believe that Vision is what makes an image great. It’s what makes the difference between a technically perfect image and one with feeling. It’s what makes your images unique.
Great images do not come about because of equipment and processes, but rather from Vision that drives these tools to do wonderful things. What good are great technical skills if you don’t have an idea worthy of them?
If I had to choose between the best equipment in the world and no Vision or having a Kodak Brownie and my Vision… [Read more...]
I seldom do black and white shots but my girlfriend found a shot in the internet of Chris Hemsworth (I know, I know….) and I needed to take my shot at it. So here is quick tutorial on a very simple, quick and cool black and white portrait shot.
Amidst all the noise generated by the NAB Show in the past two days already – with 4K Cameras making the headlines on every photography blog out there, or with companies like Blackmagic flooring audiences with how much they’re evolving the technology of cinema – There’s quite a few cool announcements that get lost in the middle. One of them is from Digital Bolex, and it’s a monochrome camera (based off the original D16) called the D16M.