After announcing P30 black & white film, FILM Ferrania is now one step closer to its actual distribution. They have officially launched the online shop, and they are taking preorders for the P30. Customers from any part of the world can place the orders, on different links for US/Canada/Mexico and Europe/Global market.
It’s Saint Patrick’s Day, you ran out of B&W developer, all stores are closed down and the only thing you can find is beer.
Nothing worse could happen but don’t worry we have THE solution to develop your roll of film.
I’m sure you’ve already guessed it! Yes, we are going to use beer as developer and not any beer. I’m talking about the most emblematic in Ireland: GUINNESS!
We’ve all seen all kinds of cameras and different ways of creating very artistic photos. But I have recently discovered one of the most interesting landscape series so far. Surveillance Landscapes is a series of photos by fine art photographer Marcus DeSieno. Landscapes taken by something that’s not really used for art – surveillance cameras.
His work brings the mood and spirit of Ansel Adams’ black and white landscapes, and it’s a series of masterfully done photos. But he takes these moody, monochrome images without leaving his desk or picking up his camera. Instead, he hacks into surveillance cameras, public webcams and CCTV feeds all over the world.
Marcus was kind enough to share some details about his project with DIYP. And the idea and message of the series are as powerful as the photos themselves.
If you are new to film photography, chances are that you will get into shooting black and white sooner or later because you have been inspired by the masterpieces of our great geniuses. But before you become the next Henri Cartier-Bresson or Sebastião Salgado there are a few things you should know.
Seeing the world in Black and White is the main struggle for everyone at the beginning but like with everything else, it can be learned and practiced with a simple understanding of how colors are translated into BW. The human eye can distinguish approximately 500 shades of gray (some are limited to 50 but that’s another story!), on the other hand, the scope of colors is almost unlimited.
It’s about time to give some fame to two cheap films in price but by no means in quality. It can be tempting to go for the expensive ones when buying rolls but let’s not forget about the bottom of the shelf.
The films you are going to read about have some serious advantages on top of their inexpensive price. If you are just starting it may be a good opportunity to practice without breaking the bank. However, if you already have some experience, you can always try these two guys and compare the results to the more famous films you are used shooting with. I’m sure they won’t have anything to be ashamed of!
I had everything I ever needed, all the dream gear, Broncolor lighting, the latest Professional Canon cameras, and all the fastest Canon lenses. I had the latest Apple laptop, C-stands, tripods, all the gear I could ever dream of. I had it all, and at the time it was good. So why did I decide to get rid of everything after only a few years.
I used all my gear, I used it all the time. Everything I purchased I needed, or so I thought. I would do a studio photo shoot every weekend for personal work, and client work throughout the week. I got to a point where purchasing everything would be cheaper instead of renting. So over time I purchased all the gear I could ever need.
Most professional wedding photographers are not thrilled when someone brings up mirrorless cameras. I understand – the concept is relatively new, and there may be some distrust towards these cameras’ performance. Especially in demanding conditions such as shooting a wedding. But an example by Kevin Mullins proves them wrong. He shot an entire wedding with a Fujifilm X-Pro2 and published a video which may break down misconceptions.
Sales of photographic film have been steadily rising over the last few years, with professionals and amateurs alike rediscovering the artistic control offered by manual processes and the creative satisfaction of a physical end product
In the early 2000s, the world of photography changed forever. Though digital cameras had been widespread since the mid-1990s, the technology did not produce sufficiently high-quality results for professional and serious amateur photographers.
Photo colarization is a thing. We want to look at color photos, but we only had black and white film a few decades ago, so there is a gap to fulfill. I guess our kids will want to hologrimize our colored photos when they grow up, but this is another story).
Up till now, colorizing has been an intense and laborious process taking hours of work from skilled artists. A new algorithm from Algorithmia wants to change that. Algorithmia released a new cloud platform that takes in a black and white photo and spits out a colorized version of it. The idea is that you can instantly create a color photo from an old black and white print of say Dear Aunt Daisy.
I’ve never been a massive fan of the whole “Fix it in Photoshop” (or Lightroom, in this case) mentality, but it does undoubtedly offer its benefits, especially when the conditions under which you’re able to get the shot may be out of your control.
In this video from Swiss landscape photographer and YouTuber, YuriFineart, we see a technique that allows us to go from a simple snapshot into something a little more interesting.