In a world that is so obsessed with selfies, it’s hard to stand out from the crowd, but the unusual technique adopted by American photographer, Brigette Bloom, may just steal the show. Bloom, an advocate for film photography, soaks rolls of film in her own urine before exposing it. Yes, you read that correctly, she pees on unprocessed film.
You know Steven. He is the crazy hacker who made the Battlefield Pinhole Camera (and others….). This time around he sent me his latest music video. Here is the thing, it was shot 100% on film, and well worth the effort.
The clip was shot with a rented Aaton LTR 54, using a full Zeiss Prime f/1.2 series lens kit (80mm, 50mm, 35mm, 25mm, 16mm, 12mm, 9,5mm, 5,6mm aspheron)
First, this clip is just oozing with creativity, but that alone does not justify film. I asked Steven why he shot this on film and basically he has two reasons:
The first one was the physical qualities of the film, huge latitude and grain: [Read more...]
The Lomo’Instant is a hybrid between the classic Lomo analog vibe and Fujifilm Instax Mini Film. The camera supports interchangeable lenses (or attachments): Wide Angle (82°), Fisheye (170°) & Portrait (64°).
Here is the interesting bit, While Lomography has both the sales channels and (I would guess) the funds to make this camera alone, they are turning to Kickstarter to back this project. A camera will set you back $69 (if you are an early bird) and a full set is $160. – it is over 30% funding from its $100,000 in just about 2 hours.
with the slow decay of film it is getting harder and harder to find film to use on old (or new) cameras that use 120 film. Even you do find 120 film (hint Amazon, eBay) it is not trivial to develop (not to mention expensive). But what if you have a Diana or a treasured Mamiya that you want to use? You can still use them with 35mm film if you can manage to load the film into the spool in a way that you can wind it after each shot.
The photos you take will not be restricted to the 35mm frame that you are accustomed to, but go all over the sprockets. It’s a pretty cool effect if you ask me.
Here are three ways with ranging budgets, innovation levels and description to use 35mm film on 120 cameras: [Read more...]
If you read my last post, I was emphasizing heavily on how important photography is to our time today; it’s become a way for us to have an actual window to our past that our world hasn’t ever had before in its existence. I wrote much of it thinking about how often it goes over our heads that we have the ability to discover and share moments like that at such a fast pace today.
A photographer named Derek Wong felt the same way. Recently, he came across a roll of developed Kodak Super XX film at an antique store and decided to pick it up. He wrote about why he chose to buy it, telling us that he can now “show the world those moments in history” that were merely fading into irrelevancy sitting in the shop.
Here is the short answer (AKA straight to the point)
The LomoKino is a 35mm truly analogue movie camera. Using a normal 35mm roll of film (36 exp.), the LomoKino can shoot around 144 frames or 25 sec. of beautifully analogue cinematic masterpieces (well, the masterpiece part is kinda up to you and your creativity). [Read more...]
I was going through some old photos of my family overseas. My dad’s kept them in a hard brown briefcase since before I was born, and we decided to find a way for them to be able to be cherished more freely. I wanted to share a few tips I noted down along the way as I was restoring those photos. And you don’t need an elaborate setup. Grab your phones, guys.
So if you were getting tired of the 4K parade that’s been so prevalent at the NAB show this week, here’s a post that’ll be worth looking into. Thursday was a big day for lens announcements, with three main entries into the competition.
Back in the days, when we were still capturing images on sheets of plastic, ISO (also known as ASA) was not a button on the back of a camera. It was a chemical property of the film. Some cameras could read the encoding on the film can and set the ISO accordingly. But sometimes you wanted to get more out of a film – to set it to a higher (or lower) ISO. This process is called pushing/puling the film, and if the camera you had could only do auto ISO decoding, you had to hack the film.
Even today, if you still roll your own film, you may find this technique useful. We present – The Full Guide To Hacking DX Film Annotations
Over the years we shared quite a few interesting ways to develop analog film. Coffee, Red Wine and Tylenol being some of the more uncommon developers, but we never actually took the time to show any of the mechanics of the development process tweaked.
Dutch photographer Jan van den Broek shared “an idea” that I think has the potential to inspire many folks who still love to develop their own film. He used Lego Mindstorms to create a semi-automatic developing machine. [Read more...]