Adobe announced today they have acquired Aviary, a photo editing software developer that is, perhaps, most notably known for it’s free contribution of their SDK (software development kit) to third-party developers. The powerful SDK is currently the backbone to over 6,500 different mobile apps including apps from Flickr, Photobucket, and Squarespace. [Read more...]
Do you ever notice how sophisticated and easily accessible futuristic technology can look at times when watching a movie? Just to throw an example out there, remember how subtly awesome it was when all Tony Stark needed to do to paint his armor was ask Jarvis to add some hot rod color? As advanced as technology is these days, Louis C.K. was right; we’re a bit spoiled when it comes down to how much we expect. Just the other night, I had a friend complaining that he was stuck on 4G because there wasn’t any LTE in the area.
The bottom line is that efficiency and speed both play a big role in how technology moves forward. As simple as it is to take your phone out and press a button to show the screen, we ended up finding a way to make pushing it unnecessary. As simple as it is to type in a password to buy an app, we replaced it with a fingerprint sensor. And as efficient as it is to Photoshop your pictures to change the weather, we’ve now found a way to let an algorithm do the job for us.
Dear Almighty Adobe,
This is not a break up letter, you know I love you, but, I have questions going around in my head…. I really want to join the creative cloud, please help.
I love the idea of the Creative Cloud. Really, what’s not to love there. Laptop/desktop/tablet integration; instant updates; $10 for the photography plan. So why haven’t I moved yet. I actually consider moving almost daily. Well not daily, you know, but quite often. If you just made those really minor tweaks, I would hop over in an instant.
Did you know that that when you use a polarizer in a wet forest, the color come out more vibrant because of the water’s effect through the lens?
Up until today, the only two things I knew about polarizers were that they make things go black when you put two together, and that they’re a feature in my American Optical Pilot Aviators (insanely affordable for their quality). Photographer Steve Perry, however, is so passionate about the polarizer that he made a ten minute long video tutorial over it. And don’t let that throw you off; this video doesn’t waste time. He spends ten straight minutes teaching you about polarizers, and it’s one of the most informative little pieces I’ve seen for a while now.
For a while now, Aperture has been Apple’s signature professional photo management app, similar to what Final Cut Pro and Logic Pro have done for video and music. After WWDC, however, things looked a bit bleak for the software after Apple announced its rollout of its new Photos app – the keynote went by with no mention of any updates on Aperture itself. Today, it’s been confirmed by the company that development on the software has officially ended.
As part of Adobe’s 2014 Update Bonanza! taking place today, there are a number of changes that are tailored purely for photographers. Adobe has long been associated with desktop photography software, but the company has been taking notes and listening to its customers and tailoring the experience for their key market.
Despite initial criticisms of the Creative Cloud subscription service, Adobe have embraced and furthered the software. This is largely with thanks to the access Creative Cloud has provided. Through the service, Adobe has been able to constantly drop updates and micro-features to customers as well as identify key areas of use and gather constant feedback to improve their services.
While there are many updates to other apps and the release of multiple iOS apps today, we will focus purely on those relevant for photographers. There are exciting changes to both photography applications within their Creative Cloud range as well as to their subscription formats.
Personally, I am still using Adobe Photoshop CS5. I purchased it while still a student (before I had to pay full price, although a trip from Australia to the US to buy the software may have been nice…) and I have never found a reason to justify the upgrade to CC services. Simply, the plans have never really enticed me for what I needed. They have always been a touch expensive for my liking (especially at first within Australia upon release) and offered me more than I have needed.
Today, I’m excited. With updates to Photoshop with very cool new functions that almost makes my CS5 look like a version of MS Paint with a nicer UI, and a new plan that has been created purely for photographers who only want applications applicable to them, I know that I will soon be throwing my credit card at Adobe. Add to that Adobe’s break into the hardware market, and today is a big day for Adobe.
Adobe just started hinting on their next batch of releases for CC cloud coming up on the 18th, and a quick poke around youtube discovered this video revealing one of the new tools coming to Photoshop CC.
The video not only hints at the new feature, but fully demonstrates the new tool that allows the “automatic selection based off of pixels that are in focus verses out of focus.”
Check out Adobe’s video after the jump…
It’s been about three months since its last update, and now the next release candidate for Adobe Camera Raw is here. If you’ve been waiting on support for the Panasonic LUMIX GH4, Camera Raw 8.5 now gives you the opportunity to do so. Along with it, a few more cameras from Olympus, Nikon, and Canon are added into the mix, receiving raw image support in the program; if you’re just getting into photography, editing the raw image files is one of the best things you can possibly do for your photos, so GH4 users out there should definitely give this update a look.
Unfortunately, like the last time, there’s no word on an update coming to Lightroom at all, so we’ll have to wait and see where that goes. Adobe Camera Raw 8.5 RC is now out for both Photoshop and Creative Cloud. Check out what else is featured – including new lens profiles, bug fixes, and software modifications – after the jump.
Adobe just released the much anticipated Lightroom mobile App. If you are an on the go creative, this is probably one of the things you wanted to see most coming out of adobe and finally a solid reason to move into the Adobe Creative Cloud.
The application enables synching photos between an iPad (or iPhone, no world on Android devices yet) and your desktop application via the cloud. but…. it also enables editing and tagging photos while making sure everything is in sync. [Read more...]
Slowly, but surely, the worlds of cinema and photography are abandoning film as a medium. In the consumer market, it’s arguable that film is already wiped from existence as a business; film is hard to find and higher in price as a result because of the small market that still demands it. In cinema, it’s endangered. A decent amount of directors still stick to it, but the production companies need to be ready for the budget cut the cost will take.
The problem is that there’s still an interest in film photography, but it simply takes too much effort to pursue for the general consumer. At the end of the day, however, it’s the vintage feel film gives that most people would like to emulate. VSCO‘s been offering solutions for that for a while now. They’ve been selling plug-ins for Adobe Lightroom, Adobe CR, Photoshop CC, and Aperture; each plug-in comprises a variety of filters that literally emulate different types of film. As weird as that sounds, it works. VSCO’s great at what it does, and they just released the newest addition to their film packs yesterday. [Read more...]