As more people abandon their point and shoots for the ease of their smartphones, Panasonic is hoping to stay relevant by establishing a strong foothold in the smartphone industry and, by the looks of it, they may have knocked it out of the park with their forthcoming LUMIX DMC-CM1. Panasonic has dubbed the 20 megapixel device a smartcamera–a smartphone in which impeccable detail has been placed on the device’s camera function. And, indeed, the camera elements of the device certainly do not disappoint. [Read more...]
Apple doesn’t have any plans on implementing 4K into their iPhone models anytime soon, as we already know from last week’s keynote, but it looks like someone managed to make it happen already. Developing company i4software has a new app out called Vizzywig 4K, and if you’ve got an iPhone 5S, iOS 7.0, and about $1,000, you can get it from the App Store right now.
Whether we may think it’s excessive or not, 4K is slowly starting to become the next standard in video. It makes me think of a criticism I once heard against digital filmmaking: that it becomes too real for the viewer to suspend disbelief. Growing up, many of us have been used to movies being shot on 24 FPS film; in a way, it allows us to “escape” the real world and watch a story set in a fantasy world. The blurs, light leaks, and contrast burns – every imperfection from that film – separates the world of the movie from the reality of the world in which we reside.
Fast-forward to today’s time, and you have the Hobbit films being released in 48 FPS across theaters worldwide. When Peter Jackson filmed the trilogy, he described watching the final result as looking through a window. The problem is that many people don’t want to view movies in a world that real.
With the sensitivity of the Sony a7S reaching up to an ISO of 409600, the camera itself has had some pretty high expectations to live up to. Just recently, Photographer Yosh Enatsu took the a7S out for a test run and uploaded some results showing what the camera truly can be capable of. Considering the a7S doesn’t have its own internal 4K codec, the shots were done through a setup utilizing an external Blackmagic converter. Filmed in the middle of the night, the final two videos we see paint an impressive image of what the a7S can do.
AJA is one of the most respected names in the video production business, and their presence at the NAB Show was bound to bring about high expectations. With the announcement of their newest video camera, it looks like they intend to deliver. At their keynote presentation, alongside a variety of mid and high-range products, AJA introduced the Cion.
At their NAB Show today, Sony made certain that ’4K’ would be their hot word for audiences to catch on to. It’s what came up on the screen as the live stream even began, and continued to be spoken about for its presence in medicine, business, filmmaking, and consumer use. Sony made sure that 4k touched every single topic they covered. One of those topics was the company’s announcement of the full frame Sony A7S, a camera introduced at the end of the segment that we’ve been anticipating for a while now.
Back about a month ago came the announcement of the Panasonic GH4, a Digital Single Lens Mirrorless (DSLM) camera with the ability to record 4K video. Panasonic released word of its plans to keep the camera at a reasonable price of less than $2000, and it seems now that they went through and delivered.