Easily Simulate The Look Of Two Camera Angles When You Only Have Footage From One Angle

dslr-two-angleFor those of you who shoot a lot video (or, even just a little), having two camera angles can make your clip more interesting and more professional looking. Unfortunately, two cameras isn’t always what you have to work with. That’s why the team from over at DSLR Video Shooter made this tutorial that shows you a work around to make two angles out of one in post production. Plus, he shows you how to do it in both Final Cut Pro X and Adobe Premier Pro.
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Is 4K Video Even Worth It? These Test Results May Surprise You

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A trending topic right now across the photography world is 4K video and the amazing quality that cameras such as the Sony A7s II and Panasonic GH4 can produce.  But, along with this, many people seem to be giving off the vibe that anything less than 4K is simply amateurish.  So, is 4K video all it’s cracked up to be, or is it just an over-hyped ploy?

The guys at LinusTechTips decided to take that question head-on, testing native 4K, 1080p, and “up-sampled” 4K video to see what the truth may be.  The results vary just a bit, but the conclusion of their experiment is not what I was expecting.

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World’s Smallest Micro 4/3 Camera Will Give GoPro a Run For Its Money

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We all love the GoPro for a variety of reasons.  But, one major drawback of the well-known action cam is a sacrifice on quality due to it’s sensor size.  Oh, and you’re kinda stuck with the stock the fisheye-like lens.

Z Camera is looking to give GoPro a run for their money with the introduction of the E1, the world’s smallest micro 4/3 camera with interchangeable lenses and 4K video.  Although it hasn’t yet hit mass production, this feat of photographic engineering is shaping up to be fun!

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4k UltraHD Video Camera Showdown: a7S, GH4 and NX1 Compared

We recently did a quick poll here on the blog and if our audience is any indication shooting 4K video is not there yet. But early adopters (manufacturer and shooters alike) are starting to use 4K capable cameras and it is time to start comparing some of the consumer/prosumer models out there.

In this showdown Tony Northrup compares three models: Panasonic’s GH4Samsung’s NX1 and Sony’s a7S connected to an Atomos Shogun (to draw full 4K out). The team compared Dynamic range, focus tracking, high iso, impact on computer performance and more. (As a side note, price for 4K is quite difference as well: $1,500 for the GH4, $1,300 for the NX1 and $4,500 for the a7S and shotgun combined)

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Nikon 1 J5 Announced; The First Nikon with 4K Video and World’s Fastest Continuous Shooting

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Nikon’s newest mirrorless system offers 4K video as expected, as well as a bump in megapixels, a backside-illumination sensor and up to 20 frames per second with continuous autofocus.

A tilting touchscreen, new EXPEED 5A image processor, built-in WiFi and NFC support make the camera even more attractive.

The camera is available for pre-order and will begin shipping on April 30th.

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Vimeo Could be Rolling 4K streaming (in stealth….)

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While 4K streaming has been available on YouTube for a while, Vimeo, the growing video hosting site loved by artists and filmmakers, has lacked this feature. Sure, perhaps 4K isn’t an Internet standard yet, and your grandmother might not give a witch’s teet about seeing every last pixel of the short film you created for your senior project, but there’s little doubt that 4K is the next step in online video distribution.

Filmmaker Philip Bloom recently made the discovery that Vimeo, while not officially supporting 4K streaming yet, seems to have enabled it for at least certain sectors of its users. Vimeo’s December 8th announcement rolling out 4K download support for Pro users and Video on Demand sellers was further clarified to say that 4K playback, while not yet available, would be enabled for those videos once the feature became available. However, Bloom, along with business partner James Miller, ran a few tests and, much to their dubious delight, found that their new uploads were already streaming in 4K. [Read more…]

The New Panasonic Lumix Smartphone To Feature A Mammoth 20MP 1-Inch Sensor And Leica Glass; 4K Capable

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As more people abandon their point and shoots for the ease of their smartphones, Panasonic is hoping to stay relevant by establishing a strong foothold in the smartphone industry and, by the looks of it, they may have knocked it out of the park with their forthcoming LUMIX DMC-CM1. Panasonic has dubbed the 20 megapixel device a smartcamera–a smartphone in which impeccable detail has been placed on the device’s camera function. And, indeed, the camera elements of the device certainly do not disappoint. [Read more…]

The iPhone 5S Gets its First 4K App; and it’s Available Right Now for Only $999

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Apple doesn’t have any plans on implementing 4K into their iPhone models anytime soon, as we already know from last week’s keynote, but it looks like someone managed to make it happen already. Developing company i4software has a new app out called Vizzywig 4K, and if you’ve got an iPhone 5S, iOS 7.0, and about $1,000, you can get it from the App Store right now.

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Let Me Know When You See Fire: What a Video Shot at 1000 FPS Looks Like in 4K

Whether we may think it’s excessive or not, 4K is slowly starting to become the next standard in video. It makes me think of a criticism I once heard against digital filmmaking: that it becomes too real for the viewer to suspend disbelief. Growing up, many of us have been used to movies being shot on 24 FPS film; in a way, it allows us to “escape” the real world and watch a story set in a fantasy world. The blurs, light leaks, and contrast burns – every imperfection from that film – separates the world of the movie from the reality of the world in which we reside.

Fast-forward to today’s time, and you have the Hobbit films being released in 48 FPS across theaters worldwide. When Peter Jackson filmed the trilogy, he described watching the final result as looking through a window. The problem is that many people don’t want to view movies in a world that real.

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Sony’s a7S Tested in the Middle of the Night, Yielding Impressive Results

With the sensitivity of the Sony a7S reaching up to an ISO of 409600, the camera itself has had some pretty high expectations to live up to. Just recently, Photographer Yosh Enatsu took the a7S out for a test run and uploaded some results showing what the camera truly can be capable of. Considering the a7S doesn’t have its own internal 4K codec, the shots were done through a setup utilizing an external Blackmagic converter. Filmed in the middle of the night, the final two videos we see paint an impressive image of what the a7S can do.

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