I’ve been following Richard Terborg for a few years now and have always been amazed with the amount of creativity and passion Richard delivers to the world. When he agreed to do an interview for DIYP I was literally jumping through the roof. Here goes: [Read more...]
Framing very selectively in-camera, you can very often pull out quite a surprising image out of “nowhere”.
With Julia and Luis’ wedding, I roamed around the reception venue – a bed & breakfast on the Jersey shore, for interesting spots. There were interesting nooks and crannies that would work for the romantic portrait session. But I also like adding variety, especially unexpected variety.
I went through a back-gate, and into a parking lot behind the venue. This gate was the delivery entrance for the venue’s kitchen, and the parking lot was, well, just a parking lot.
But, I loved the texture of tye wooden fence and gate, and the late afternoon sun really brought out the texture. I hurried back inside and asked Julia and Luis to join me – I think I may have a great idea! I shot it using the following settings: 1/250 @ f/5.6 @ 200 ISO – available light only Nikon D4: Nikon 24-70mm f/2.8. [Read more...]
Ever since I saw this custom made motorbike of my friend Tapeta I knew I was going to take this shot. Today I am going to share how it was made. [Read more...]
Sometimes the phone rings and someone asks you to go photograph a floor. Sometimes they will even agree to pay you a pretty decent chunk of change to go do it.
No models, no makeup, no wardrobe, no lighting – just a floor.
My first reaction is usually something like “I’m not a floor photographer.”
But then I remember that people who own big buildings with floors often have money, and I figure income is better than no income, so I agree to go photograph a floor.
Which brings me to the question: Why would anyone go out of their way to find a floor photographer and pay them a healthy sum of money to go out and take what I consider to be natural light snapshots of a floor?
The answer is that as photographers, we have developed some considerable talents that many of us take for granted on a regular basis.
At about 12:15 midnight, Remy Castro and Wilkins Mendoza were flying their two quadcopters over George Washington Bridge in New York; at the same time, an New York Police Department chopper was present and patrolling the area – the two remote controlled quadcopters were headed straight for it. Luckily, the NYPD officers present noticed the two of them, and had to divert the chopper’s direction to avoid hitting the two of them.
Had one of the quadcopters hit the propeller of the chopper, things could have gotten ugly. There were a number of ways things could have gone wrong in this situation, and it shouldn’t be happening in the first place if we expect to be able to keep our right to freely use quadcopters in the US. If you follow this website at all, you know our stance on photography and how it relates to the law; but as supportive as we are of the right to use these devices, we can’t be surprised when regulations get put up because of things like this.
The two men that manned the quadcopters were immediately arrested after the NYPD traced the flying devices back to them. And even after they were taken in, they spewed out dialogue that was nothing short of immature and inexcusable. One of them told the Criminal Court that it was “just a toy” and that they “were just playing with it“. [Read more...]
Shooting in black and white that feels a bit like fashion portraits, using medium format Mamiya Leaf, the series heavily corresponds with contemporary fashion photography. Yes, the exposed hairy armpits create a staggering contrast.
We were pretty curious so we asked Ben about the models and learned that while some of then, kept their hair naturally, others avoided shaving (or waxing) for weeks (or in some cases months) specifically for the project.
There was an article recently here in DIYP about 5 reasons why you should own at least one prime lens, I strongly agree to this. I normally tell the new photographers that the next lens they should buy is a prime lens. Here is the thing though, after buying a prime lens make sure not to sell your kit lens too fast. Here are my 6 reasons why you should keep your kit lens. I am a Nikon shooter, so expect Nikon examples, but everything here is true for Canon too).
A couple of months ago, I wrote a post going over Schilieron Flow Visualization, a method used to detect and visualize waves emitted from sound. NPR gave us a detailed and incredibly informative look into how it was all done.
Now, it looks like there’s a way to capture those waves through a lens yourself. A user on Instructables named jlansey recently put up a tutorial going over how you can make your own setup on a $9 budget (…assuming you already have a camera, of course).
Starting a career as a wedding photographer is EASY – all you have to do is follow these 10 EASY STEPS TO BECOME A WEDDING PHOTOGRAPHER!
If you have ever wanted to start a fun, glamorous and profitable ($$$$!!!) career as a wedding photographer, I will share the secret to success that professional wedding photographers don’t want you to know.
The best part is that you don’t even need to know how to use a camera – or even have a camera to get started!
And you can learn it all FOR FREE – just read the rest of this article (and then be sure to buy our eBook*)!!! [Read more...]
it is not often that a person builds their own camera, and even less common for them to build a large format camera, but Jimmy.c. Alzen just built one of those. The total cost of the build was less than $150 + several years of education and tinkering know-how.