Tokyo Timelapse Is Proof You Don’t Need Pro Gear To Make Beautiful 4k Timelapse Footage

japan_timelapse_1If you’ve ever lived in, or even just visited Tokyo, you are probably well aware of the vibrant nature and scenery that exists around every corner. As this timelapse by Bill Minhyuk Kim of Bokah Media shows us, Japan’s capital is full of bright flashing lights and a pulsing energy that’s undeniably Tokyo. The South Korean timelapse filmmaker has done a great job matching Tokyo’s sleepless vibes with this fast paced hyperlapse.

At times, the editing, and especially the color grading, of the clip present a real cinematic feel, which is nice technique to see in a timelapse every once in a while. Tokyo Timealapse is presented in 4k resolution (at 3840×2160). The entire film was photographed using a Canon Rebel t4i with a  Sigma 10-20mm and a Sigma 50mm, to which I have to say, it’s nice seeing such good quality work done with a sub $1000 camera, check it out: [Read more...]

Useful Tips For Shooting Time-Lapse At Night

Time-lapse photography can be used to stunning effect. The often-dreamy vistas passing by the camera allow the viewer an amazing insight to a location beyond what a still image may offer. I have spent more time than I care admit to watching videos on Vimeo and YouTube of amazing time-lapse productions of places far away that I may never visit myself.

While I admire these productions any chance I get, I have never taken the plunge into finding out how to create them for myself. Jay P Morgan from over at The Slanted Lens shares a guide and some tips on how to capture the images needed to create a stationary time-lapse at night.

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Jellyfish Stinging In Microscopic Slo-Mo Shows They Don’t Rub Against You, They Use Syringes

jellyfish-venom

Have you been to the beach in the last few years? If so was the only thing you could think about was “Please don’t let that jellyfish touch me! Please don’t let that jellyfish touch me! Please don’t let that jellyfish touch me!”. And was that because of those slimy tentacles that smear venomous pain-inducing mucus on you?

I had those thoughts too. But it turns out that if you actually take a strong microscope coupled with a 2,200 fps Phantom Miro camera you see that it is not the slime that hurts you, it is millions of small syringes that extend from the jellyfish and inject venom into your skin.

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Are Patents Like The Three This Photographer Holds Harmful Or Ultimately Helpful For Our Industry?

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A California based company, PhotoCrazy (owned by Peter Wolf), is suing a South Carolina event photography business, Capstone, for violating three of PhotoCrazy’s patents. The patents, 6,985,875; 7,047,214; and 7,870,035, grant PhotoCrazy exclusive rights to certain workflows that have been commonly used in sporting event photography for quite some time.  More specifically, it cites taking photos of an athlete at an event, sorting the images by the bib number wore by the athlete, and putting them a website which allows athletes to quickly find their photos by entering their bib number. Like I said, a very common practice.

Is this starting to remind you of the Amazon patent hullabaloo?
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After Watching This Timelapse You’ll Be Lining Up For Tickets To Next Years Burning Man

burningman_timelapseI recall a friend once passionately trying to convince me of the greatness of their favorite musician by explaining how the music was so good it caused my colleague existential despair by thinking nothing he ever created would be able to transcend, surpass, or even just achieve the same level of magnificence as the musicians work. Now, having watched this timelapse fresh out of Burning Man, I can honestly say I know what it’s like being able to relate to that feeling.

The photography of Roy Two Thousand and his second shooters, August Winkelman and Connor McNeill, is outstanding. This, of course, isn’t entirely surprising considering some of the other gems that can be found in Roy Two Thousand’s portfolio, including The Fertile Desert, which served as an inspiration to make Lake of Dreams.

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US Copyright Office: Photos Taken by Animals Have No Copyright. Nor Do Photos Taken by God.

Two weeks ago, the story of the selfie-taking monkey gave me what I had thought was the best article title I was ever going to get to right. I was wrong. This is the best article title that I’ve ever gotten to write.

For those who missed it, around the beginning of this month Wikipedia was caught in a bit of controversy for its ruling on photographs taken by a monkey with photographer David Slater’s camera, saying that Slater had no copyright to them since he wasn’t their photographer. In a update to the story equally as bizarre as the story itself, the US Copyright Office released a 1,222-page document establishing new policies and reaffirming existent stances set on copyright law; touching on the subject at hand, the Office basically said that a picture taken by a monkey is unclaimed intellectual property.

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Essential Night Landscape Photography Tips from Chris Burkard

chris-burkard1Today’s post comes from extraordinary surf and landscape photographer Chris Burkard, who was recently featured by Smugmag’s short film, Arctic Swell. Chris has made it his life’s work to find wild, remote destinations and then capture the juxtaposition of humans in these environments. The world is an oftentimes harsh, humbling, and magical place, and Chris wants to photograph it all.

He shares his essential night landscape tips below. You can browse his portfolio and print store on his site.

It’s hard to beat the enchanting feeling of star gazing at a clear night sky. You soon become lost in its beauty like a giant kaleidoscope full of shooting stars, planets, and glow from the setting sun or nearby cities. I’ve traveled to countless countries over the past ten years and some of my fondest memories occur long after the sun has set. Whether it’s camping near my home in Big Sur or witnessing a rare northern lights show in the Arctic, I’ve had the privilege and challenge of documenting these night landscapes.

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Unforgiven: The Cinematography of Jack N. Greene

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Last year, actor Ken Watanbe starred in the Japanese remake of a film called Unforgiven. Though it may have had a limited release, its reception wasn’t diminished in the slightest. Acclaimed by critics worldwide, Yurusarezaru mono continued the cinematic relationship between samurai epics and spaghetti westerns at full ignition; the tradition’s beginnings are rooted in Sergio Leone’s A Fistful of Dollars, which was a scene-by-scene remake of Akira Kurosawa’s Yojimbo.

Out of everything the film achieved, Yurusarezaru mono reminded us that Unforgiven still remains an ageless masterpiece. After its release, the film became known as a eulogy to classic spaghetti western cinema; in other words, it signified the end of a generation. If that statement holds any truth to it all, then it’s fitting that Unforgiven was helmed by Clint Eastwood, who starred in the Sergio Leone trilogy that pioneered the genre in the first place.

The reason I bring up the fact that it eulogized a generation for this post is because of the fact that Unforgiven was entirely rooted in it; every element that made it what it was borrowed from the old classics, and that included direction, music, writing, and cinematography.

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