In Part I of the Ultimate 365 Guide I explained whether a 365 project is meant for anyone, where that journey might take you, why it’s important to actually walk a 1000 miles and how the love for the process is more valuable than the desire for the goal. So let’s start off with something very essential to every 365 project:
About a week ago we reported on GoPro stock plummeting after Apple was granted a patent for wearable cameras, but thanks to an announcement made by the NHL and GoPro on Friday, GoPro stocks are making a swift recovery (up 6.5% at the time of writing). The announcement detailed a deal between the two which will put GoPro 4′s on professional hockey players during game play with the idea that the footage from the cameras will be used for live broadcasting.
“…to date the footage has been restricted to a post-production workflow with memory cards being shuttled back to the truck to provide a look back at the action. This new solution will be the first time official GoPro products are used to transmit the action in high definition, allowing for integration into a live television broadcast.”
This announcement comes a week after GoPro announced it’s partnership with Vislink to equip their cameras with the capability to broadcast sporting events live in high definition. In that announcement, GoPro mentioned they would showcase this new technology during the 2015 X-Games in Aspen in addition to the AMA Monster Energy Supercross event, but, at the time, made no indication of a deal with the NHL. [Read more...]
There aren’t many working staff photographers around the world that aren’t worried about their jobs or wondering when the day will (inevitably) come when their publication will start handing out marching orders to the photography department. For the six remaining staff photographers at Sports Illustrated, that day came yesterday when the publication announced they would no longer need the services of Robert Beck, Simon Bruty, Bill Frakes, David E. Klutho, John W. McDonough, and Al Tielemans.
The magazine’s director of photography, Brad Smith, confirmed the news, citing “economic circumstances”. Sports Illustrated’s is undergoing several changes under the direction of parent company, Time, INC. In addition to letting go if it’s photographers, the magazine is also moving it’s headquarters into a smaller building because they cannot afford the rent in their current location any longer according to a statement issued to one of the photographers from a Sport’s Illustrated editor. [Read more...]
I read the article by Martin Gillman about moving back from mirrorless to DSLRs which was published on DIYP a while back and had to respond.
To get some background on me, I am amateur photographer, in the original meaning of the word (lover of) and also in the sense, that I don’t shoot paid gigs anymore. I used to work as a concert, event photographer, shooting around 20 gigs a week. For seven years, I’ve been a staff photographer at Prague based tattoo and body mod studio Hell.cz again shooting gigs and shows, at current time I am working with few pantomime theater groups besides doing my own stuff that ranges from building pinholes to shooting and developing 4×5 slide film with a view camera. (see murhaaya.com for yourself)
I mentioned the gigs to give you some idea, that I’ve sort of been around the block and I am not blabbing about something I don’t know anything about. My main workhorse now is still a Canon 5D Mark II with a four prime lenses ranging from 24/1.4 to 85/1.8. No zooms, that’s how I roll. You roll however you like.
One and a half years ago I decided to start a 365 project to take my photography to the next level. I expected to make some progress, but that it completely changed my life was beyond my wildest dreams. What happened afterwards was even more exciting. A 365 is one of the most incredible projects a photographer could experience.
In Case You Are Psyched To Start Your Very Own 365 Project, Why Not Read The Ultimate 365 Guide First?
If you’ve heard of INSA, chances are you’re thinking of animated walls right now. For those who don’t know him (and you definitely should), INSA is famous for his stop motion GIF-ITI artwork – animated GIFs created from graffiti paintings.
The UK street artist recently created the biggest animated painting for another GIF-ITI project, but with two changes from his ordinary workflow. Rather than painting a wall INSA painted an entire parking lot, and instead of a regular camera he used a satellite to capture his creation!
AXSY T-Set is the latest motion control system, in a very long list, to try and find its way into the market via Kickstarter.
Boasting a 3-axis system controlled wirelessly by an advanced app, and a relatively low price, this could be the next best thing for timelapsers, astrophotographers and filmmakers.
Photographer Tom Barnes shoot on location quite a bit. While he started like most of us using his eye glued to the viewfinder followed by a quick look at the LCD, he has now moved to tethered shooting almost exclusively. And while shooting tethered in the studio is a somewhat familiar and safe territory, shooting tethered on location can prove quite problematic:
When shooting tethered in and outside of the studio it was always a bit of a nightmare, you’d have loose cables, chargers and no stand or case to keep your laptop separate from the ground/surface so if somebody spilt a drink for example it would drown your computer/drives/cables etc.
To solve all the problems and to avoid the accidental spill, Tom build an on-location tethered station that is a hybrid between a Peli case and Optimus Prime.
Sometimes I wonder why I can’t sleep that good. It happens often is a big shoot is on my plan for the next day, I ask myself “Is my light plan right, did I miss something, is there something to improve?”. As a child of the computerized generation, I was wondering if there is a software to simulate light setups. There are different ideas out there on the web, some use Blender to simulate light, others tried Cinema 4D. I’ve tried some of the provided project files, but … well … I am not a 3D-Guy, so I struggled with the UI of Blender and Cinama 4D. The I found set.a.alight 3D and some things changed. [Read more...]
I have been thinking a lot recently about the direction that I want to take my photography business, and this week I came across two really interesting ways of looking at career advice for creative professionals.
First, there is the “do what you love” genre of career advice for creatives. Then, there are statistics.
For the sake of this article, lets call them fantasy and reality.