Hi, Ilko Allexandroff here, in this post I’m happy to share the behind the scenes for one of my favorite shoots that was shot in the rain. Conditions were far from trivial and I’ll share some of my secrets as well as information about my location choice, lighting and how I usually shoot in rain. [Read more…]
Looking on the back of the camera to see if you got a shot properly exposed can be misleading. The LCD may not be calibrated showing a too dark or a too light image. Or the sun hitting the LCD can be laying tricks on you.
Yet there is a tool, that is often ignored that can give you a very quick and good indication if you exposed correctly – The Histogram.
In a nut shell, the histogram is a graph that show how many pixels of each brightness level are present in a frame. John Greengo of CreativeLive give a full back to basics course on photography, in this installation he discusses the Histogram in very easy to understand manner.
Generally, John mentions that you would want a histogram that looks like a mountain with a strong peak in the middle and a slope that goes out to either end. While specific captures may be unique, (such a capturing snow, or night shots), a strong peak on the right may indicate an over exposed image, while a strong peak on the left may indicate an under exposed image.
It is no secret that we love reflectors here on DIYP, and we’ve shared quite a few reflector tips before. This one from The Slanted Lens is kinda different though, as it does not show you how to actually use a reflector but it shows you what to do when there is no line of sight between the light source and the reflector.
Sometimes, the set dictates that light should be reflected from a certain location,. Mostly when you are using the sun light to light interior locations, like when you are deciphering hieroglyphs in a pyramid. But if that location has no light, you need to figure out a way to get light into there. This is where double reflection comes in.
The solution that TSL suggests is quite simple – Double Reflect. Set a soft reflector where you want the light on the subject to be coming from, then set a second, hard reflector, where the sun is. Use the hard reflector as the light source and use the soft reflector as, well…, a reflector.
While Double Reflection does require two reflectors, as the name suggests, it is a great way to get natural light to places that are hard to reach. And while JP uses high production bug reflectors, even a set of two small 5in1 reflectors @$20 each can do the job.
[Using Double Reflectors to Light a Cave | The Slanted Lens]
Social media seems to be split around this video by Terry Tufferson that shows him avoiding a close encounter with a shark by the skin of his teeth. The video shows Terry jumping of Manly’s Jump Rock in Sydney Harbour and immediately getting a warning call from his buddy that stayed on land. Terry sees the white shark and start frantically swimming to shore, till he safely lands.
Harry Potter and the Half-Blood Prince is one of those films that I have a bi-polar appreciation for. Because of the decisions made by the studio to build momentum up to the last two films of the franchise, the sixth installment ended abruptly and anticlimactically. Along with that is a number of other criticisms I have with it, almost all of them relating to differences between it and its book counterpart, and I’m pretty sure they make the Half-Blood Prince my least favorite film in the Harry Potter series. But where this film polarizes me is in its cinematography, which is arguably the best ever done by the series altogether.
Out of all the films in the series, Harry Potter and the Half-Blood Prince is the only one that was nominated for an Oscar for Best Cinematography; that fact isn’t a surprise at all, either. The cinematographer behind this film was Bruno Delbonnel, who’s also known for his work on Amelie, as well as the recent Coen Brothers’ film Inside Llewyn Davis. He may arguably be the most well-recognized cinematographer the Harry Potter series ever had.
If you thought that shooting underwater is hard, wait until you hear about this macro-stacking-150,000-photos timelapse project.
Daniel Stoupin is a marine biology PHD student in Queensland. This obviously gives him a lot of material to shoot in his other job as an underwater videographer. Slow life in particular combines both his loves -marine life and underwater photography. [Read more…]
I’ve been spending a lot of my time lately on portraits, food, and event photography, so I got pretty excited recently when testing a new camera bag forced me to lace up the boots and hit the trails. The new Loka UL from F-stop Gear is a pretty awesome bag, but this article isn’t really about the bag. It’s about the overall nature photography experience. It’s one thing to be the master of your surroundings in the studio, but it’s quite another when your photographic adventure takes you off the beaten path into the trails, woods, mountains, or waters of Mother Nature’s studio. Being a responsible photographer on those journeys is about so much more than just getting The Shot. While I believe we all have a responsibility to our art, we can’t let ourselves lose sight of our responsibility to the environment and the world around us. [Read more…]
There’s resources available online that can teach you almost anything you want to know. It’s funny how at this point in time, we can learn almost everything college has to offer; unfortunately, the only thing we can’t get is an actual degree. But either way, for those of us who are always hungry to acquire a new skill, there’s always a way to do so. For those of you that are filmmakers and videographers, here’s a video that introduces you to the basics of cinematography within the span of about forty minutes.
Apple’s new iOS software‘s been in beta mode for about a few weeks now, and that’s been plenty of time for developers (and tech enthusiasts) to get familiar with the features iOS 8 has to offer. One area iOS 8 brings the most improvement to is the Camera app itself, and we now have a much better idea of what the features it comes with are like.
Over on YouTube, you can check out a number of videos that go over how the camera utilizes time-shift and manual exposure. As expected, Apple implements the features so they can be used in the easiest way possible. The time-lapse is started up by swiping to its respective panel and simply pressing record. As for the manual exposure, the controls are activated when you tap to focus; the exposure then gets adjusted by swiping up and down.