If you’re on the PhotoJoJo mails, you must have gotten that awesome time lapse bit. On that post they recommend the Cannon TC80N3 – a round 100 dollars device that give you the ability to take time lapse images. (It is called Intervalometer, but I can’t even say it, let alone write it and feel good about myself).
In this short video, Don Giannatti really packs in some stuff. The first setup is shows how to do a single strobe glamour portrait.
The second setup is an upgrade to the Three Dollar Beauty Dish by Just Fab (you may remember her from the Ghetto Studio post). Just Fab has gone from one time aluminum pans to more sturdy IKEA pans. Don also uses foam core and window sun shield (My guess is five more dollars to the setup).
The last setup is has another mode from a lightshere, an old reflector and some tissue.
It is mighty kind of Don Giannatti to share his unique lighting in this video. You can see the picture and some more explanations on lighting essentials.
One of the things I like most on DIYP is the strong warm community that has build around it. It is more and more often that readers are sending ideas, hacks and modifications that far surpass any ideas that might be having on the late hours of the night.
Joe has tested several options before going with the cheapest and easiest solution I have seen so far. Here are his thoughts and reasons for designing a whole new Pocket wizard mount from scratch. In my mind all the other alternatives are very good and offer some advantages, but Joe’s mount is the best of class. (Check them all for great mounting ideas.)
The previous article showed how to take great liquid product shots, though the set up can work for both liquids and solids.
In this part of the tutorial Nick will show a modification of the setup that allows you to add some color effects to the shot. If you like it, stop by Nick’s flickr stream and say “Hi”. In addition to showing your appreciation, you’ll get some great studio images and setup shots. Now for todays exiting twist:
I always keep my eye on the strobist flickr pool. It is one of the best places to get your lighting ideas. The other day, I saw a cool Corona shot there made by Nick Wheeler. Nick was so kind to share his lighting technique with DIYP readers. So, the following article is a guest post by Nick Wheeler, If you like this tutorial as much as I did stop by Nick’s flickr stream and say “Hi” (You’ll also get a nice dose of fine images).
Just recently, I became the proud owner of a new dining room table. Not a massively exciting announcement you might think (and you would be right), but what was getting me excited was the fact that it had a frosted glass top. While my significant other was wondering where to put it and what to do with the old table, I was thinking “I wonder what would happen if I stuck a flash underneath it?”
The answer at first was a little disappointing but after a while I was getting some pretty good results, particularly with bottles and containers of liquid. I was finding that with light coming from underneath it was helping light up the liquid and giving it a nice glow. The only problem I was having was the table top itself. The glass was dimpled, not smooth, and while that gave a nice effect, it was not ideal for every shot. The answer of course was a spot of DIY!
Signs are great resource of photography inspiration. Why? Signs usually carry a clear message. Clear message is a good thing: you can echo, contradict or correspond with a clear message. If your message is clear too, you hit the jackpot.
In the following article I will discuss five ways one can interact with signs on pictures. At the end I will share a personal story showing the difficulties of shooting images with signs.
1. Relating Signs - The simplest way of using a sign in a photograph is to find a sign or a combination of signs that can convey a different message than originally indented. This is usually also very funny.
Pick Your Poison by Scott Ableman
There are several ways to do this: One way is to show two related signs in the same picture. This is what Scott did in his “Pick Your Poison” image. The road guys post up a “Dead End” sign to warn the drivers off a road condition. The fast food guys want the drivers to know that they will serve food on location. Combining the clear dead end message with a bunch of well known fast food chains create a new message: “fast food is a dead end“.
The idea is very simple – take 6 super-duper Nikon SBs and mount them on a cut coffee can. You can use duct tape to hold them on.
Connect 3 pocket wizards with splitters to the flashes and fire away.
If you are a big executive and have your own business card, you can cut the time it takes you to get a business card and you are at 5 seconds. The results are not professional and there is some light lost, but when all else fails, it is a neat trick to have up your sleeve. It will defiantly work for Canon internal flashes. Other brands – you might need to adjust a bit.
I got this trick in the mail from Marko Helenius. He holds a nice gallery at markohelenius.fi. Pleae go over there and have a looksy. Judging by the (small number of) studio shots, this guy knows what he is doing. Now I give the floor to Marko.
Results from the Shadows Assignment, in which you were asked to include shadows in your photographs.
All images submitted were great and I had a hard time choosing the top four. I got those four as they each reflect a different technique of using shadows.
Not long ago David X. Tejada (blog, site) posted a video showing his setup for a firm executive shot. You can watch the video at the end of this post. One thing that I believe pushes me forward as a photographer is learning the techniques of great photographers like David X. Tejada, and then apply them on creative ideas that I have. Note that for this learning technique to work, you can not copycat an image (there is another technique of trying to reproduce an image to learn the lighting, but that is another story).