Photographing the International Space Station is no easy feat. It takes skill, a fair amount of planning, and a whole lot of patience. After years of planning, Aaron Harris has managed to perfect his method for capturing the ISS in transit. Aaron uses his Canon 7D with a Sigma 150-500mm, and of course his Triggertrap kit, to capture his stunning images. We got in touch with Aaron to find out how he captures his impressive ISS photos.
In my last post I talked about the importance of communication on a fashion shoot or any kind of collaborative shoot. Today, I’d like to share with you some things I’ve learnt whilst travelling and some general manners that should matter when you’re both at home and away!
1. Research the places you’re visiting. There are so many platforms where people share their photos, experiences and recommendations. I like to check out Flickr, and sometimes, look through images via the location hashtag on Instagram. The latter is amazing! Just by looking through different people’s streams, I’ve come across new towns, cities, great locations, and even got an idea about what time of year is best to visit.
Have you ever been browsing through 500px wondering “what do I have to do to get my landscape photos to look like that”?
Well, the good news is that its probably a lot easier than you think – and you don’t even need plugins, presets or actions to do it.
So in this post, I am going to share my twelve step process to editing landscape photography.
I look at more photos online every single day than most people go through in a month. It’s part of the job, scouring 500px and the Internet at large for the best photography out there and then writing about it—and over the course of 5 years doing this or something similar, I’ve learned some things.
I’ve learned what will get you published, what will get you noticed, what ‘exposure’ is really worth, and what topics are so dead-horse beaten that they make me nauseous every time I see an article about them (did you know that you should NEVER EVER EVER give away your photos for free… except, of course, when you should… duh).
I’ve also come to recognize the most common mistakes photographers—both newbies and, surprisingly, advanced shooters—make when they begin sharing their work online. Below are the 5 most common mistakes I see, and if you’d like to have your work noticed and appreciated, NOT doing the 5 things below is a fantastic place to start.
I recently bought a new pair of shoes and before I use them and get them all dirty (as I always do in two seconds), I wanted to play around with them for a bit. Here is a step by step tutorial on how I made the shoes looks so fine. I tried to shoot them as straight out of the camera as possible, there is just some very minor editing to be done at the end.
I am a huge proponent of the open source platform. Sure, there are two sides to the open source vs. proprietary argument, but it’s still too early in the week to be arguing something that heavy.
There are numerous reasons to use open source software for photo editing. Perhaps you prefer the Linux operating system, maybe you’re on a tight (or nonexistent) budget, or maybe you just wanna “stick it to The Man.” Whatever your reason, there are an increasing number of solutions available to you.
This is where Pixls.us comes in. Founder Pat David started the website as a resource for those looking to use open source editing software. There are treasure troves of information and quality tutorials for applications like Photoshop and Lightroom yet very little (in comparison) for programs like Gimp and Darktable. David aimed to change that.
As someone who describes himself a “Facebook Enthusiast”, I have a lot of photographers in my timeline. Probably 100 are constantly popping up, some of them are friends, while others are in that list because of their work. Peter Coulson belongs to the latter part, and he is somewhat special even there, because I always recognize his style. Every time he’s popping up I think: Yes, that must be a Coulson or – even better – I would say to myself “wow, that image is awesome” what do you know, it’s Coulson’s.
So I tried to re-create that signature look.
Making the move from stills to video may seem trivial. I mean as far as gear goes any camera can tke some decent video, right?
But film making is an art on its own and getting a few good pointers when you start can make a long way. The folks at DSLRguide are celebrating their (hair short of) 50,000 subscribers, and we for 50 filmmaking tips for absolutely free.(including sound, cinematography, business and some misc tips)
It’s a short 7 minutes video, but if it will save your movie once it was worth watching.
[50 Tips For Filmmakers via iso1200]
It’s been a very long while since we shared a good pinhole camera tutorial and Ondrej Revicky just made it better by sharing the pattern and instructions for building a character-full pinhole camera called TEFAU.
Tefau is 100% made of paper that you can make by downloading this PDF and printing it on somewhat heavy paper. Ondrej explains the basics behind any pinhole camera, which also drove his a design:
I’ve been making different product photography tutorials for awhile now and I still regularly go back to a previous posts because I am still using the same techniques. I wanted to make a single point of contact for functional tips on improving your product photography.