How We Shot This Photo Of A Floating Woman With A Simple Lighting Trick

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Do you remember your first eye-opening experience with lighting in photography? I think it happend to me while watching one of David Hobby’s tutorials, realizing that the justification for flash lighting is so much more then just “being able to shoot at ISO 100”. Lighting sets the mood, creates separation, defines spacial relation and, sometimes, makes the impossible possible. Today, let’s look at a lighting trick, I’ve only recently come across together with photographer (and good friend) Ethan Oelman while joining him on one of his personal projects. If you love to experiment with mobile flash equipment as well, check out “The Strobe” section bellow – you can win one of the awesome new Elinchrom ELB 400 strobe packs!

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How To Add Steam To Food Photography (Using Photoshop)

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Last week I did an article on how to capture steam in food photography right in camera. You can’t always have hot boiling water in every shoot or have really hot food (or frankly, sometimes it is just easier to do in post), yet there are times when you need to have steam. This is when you’ll add the steam in post production. Here is a step by step tutorial on how to add steam in photoshop.

Below, you will find two photoshop techniques for adding steam in photoshop.

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How To Do Cinematic Color Grading Like A Pro

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Ever noticed how movies have a very distinct look that gives off a cinematic look. The process of taking the footage and giving it a specific look is called Grading. There are a few ways to achieve that look and the team at the Photoshop Training Channel provides one of the best color grading primers I’ve seen to date.

Now, Grading can be as complex as you want to take it, but if you want to get a general understanding of the process this video is a great 30 minutes crash course.

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How to Perfectly Capture Steam in Food Photography


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I normally hangout at a local coffee shop editing photos because it’s easier for me to concentrate (plus free electricity and air condition… not always easy to find those in the Philippines). On my last visit I saw a person holding a cup of steaming hot coffee and thought of this article. This will be a 2 part article on getting good steam shots for coffee shots or food photography.

We will be using ‘real hot water’ rather than photoshopping the smoke…

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Learn How, When and Why to Use Negative Fill (Including DIY Solutions)

Source: YouTube/Indie Cinema Academy

Source: YouTube/Indie Cinema Academy

Fill light is probably one of the first things you learn when shooting in a studio or taking outdoor portraits, but many people aren’t aware of the reversed method – negative lighting.

As the name suggests, this method is used to subtract unwanted light and increase contrast.

In this 6-minute tutorial, Indie Cinema Academy explains what negative fill light is, how you go about using this method and why you’d even want to. The video provides examples of using negative fill and offers side-by-side comparisons, making it very useful and a great way to learn.

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Sweet Tips on Setting An On-Location Run-‘n-Gun Ronin Gimbal Rig

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If you are using a motorized gimbal (like the DJI Ronin or the more expensive MoVI) you’ve probably noticed that setting them up on location can be a drag. In Getting all the cables set up, attaching the camera to the plate and balancing take up precious time and are pretty much simply inconvenient. In the studio, or van you probably have a rack where you can place the Gimbal and set it up, but on location…. usually not.

Videographer Eric Stemen came up with a few clever tips on getting the gimbal up and running pretty quickly while going on location.

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3 Essential Street Photography Lessons

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First things first. My name is Marius Vieth and I’m a 26 year old fine art photographer from Amsterdam who loves nothing more than street photography.

After shooting all sorts of things from 2011 to 2012 without ever finding myself and feeling my photography, I discovered my deep passion for street photography in the first month of my 365 project in 2013.

Since then, I’ve not only spent almost every single day on the streets of the world to capture wonderful moments, but I’ve also built my life around it.

Within these two years, I’ve won 20 awards so far, but if there’s one thing that makes me happier than that, it’s sharing my experiences and maybe inspire fellow photographers to fall in love with street photography as well.

So, here are three incredibly important lessons about street photography I’ve learned so far!

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Applying The Sunny 16 Rule To Strobes And Mid Day Shooting

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The Sunny 16 Rule is a great addition to any photographer’s toolbox. Basically it means that when shooting on a sunny day @ISO100 you’d be pretty close if shooting @1/100 and f/16. It is a clever rule because it is very easy to remember. 100 @ 1/100.

Photographer Neil van Niekerk points out that it is pretty easy to complement this rule when trying to overcome the sun with an external strobe. And his method means you can get a great exposure with no metering. The idea is pretty simple: setting your strobe to full power and using the strobe’s GN (Guide Number) to figure out where to place the strobe. This would get a pretty good first exposure.

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