DeNoising Vidoe: Neat Video vs. Denoiser II

When it comes to noise in photos, we are pretty accustomed to using DeNoising tools. When it comes to video, there are similar options that apply that same logic to footage, rather than to a single frame.

The folks over at Film Riot took two of the more popular options, Neat Video and Denoiser II (both at about $100) for a test drive and compare the results. Ryan talks about a third plugin called Dark Energy which he says surpasses them both, but sadly, it fell of the comparison for costing $100 more.

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From Concept To Completion: Go Behind The Scenes To See This Liquid Photo Come To Life

Aaron Nace takes us behind the scenes of this liquid photoshoot.

Aaron Nace takes us behind the scenes of this liquid photoshoot.

In this awesome behind the scenes clip, Phlearn frontman,Aaron Nace details his entire experience creating the image you see above. Starting with just a concept and some sketches, Nace condenses the process into a 10-minute long video clip that’s packed with handy tips, tricks, and lighting advice to give us insights as to what all goes into making these high quality portraits. Hopefully, the easy to understand presentation Nace is known for, will inspire you to undertake a similar project of your own.
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How To Photograph On A White Background Using Two Lights; Plus A Useful Bonus Editing Tip

Gavin Hoey explains how he keeps white backgrounds bright with two lights.

Gavin Hoey explains how he keeps white backgrounds bright with two lights.

In the video tutorial below, Gavin Hoey tackles an issue many photographers new to shooting on white backgrounds are faced with–white backgrounds that look grey in photographs.

As you may already know, this is caused by the inverse square law, which you can learn all about here. But for now, let’s focus on the solution which, as Hoey explains, can be as simple as adding a second light into the mix. [Read more...]

Learn How To Make A Cinemagraph Using Photoshop In Under Two Minutes

cinemagraph

Make moving photos in minutes with this quick tutorial.

Have some cool b-roll laying around that you’ve been wanting to something with? In this sweet, but short video tutorial by Howard Pinsky, we learn how to turn video footage into a cinemagraph or “moving photo” fairly easily using Adobe Photoshop.

In Pinsky’s example, he has footage of traffic moving down a busy road that’s full of bright, flashing signs and advertisements. To make the  signage less distracting, Pinsky uses a mask to “freeze” the blinking lights, resulting in an image in which only the movement of the cars is visible. Take a look at the video, then read on for a breakdown of the steps. [Read more...]

Hiring An Assistant Without Jeopardizing Your Business

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Sooner or later, most of us photographers find ourselves in need of an extra set of hands or feet for a particular project, whether it’s a second shooter (no JFK jokes, please) at a wedding, managing gear and lighting on a commercial shoot, or stabilizing the flower balanced on top of a rocking horse sitting inside an adorable bathtub for that oh-so-cute newborn shoot. Most new photographers and sole proprietors, myself included on numerous occasions in the past, think nothing of pulling in a friend or relative to help out in their time of need. And while that may be fine for personal projects, having that modus operandi in your business can get you into some hot water. I’m not talking about how nice it is to have someone to share the work or how cool it is to refer to someone as “my assistant” (which, admittedly, is pretty awesome…until they break something); I’m talking about, when you DO pull someone else in to help out, making sure that all legal ramifications are met and you do not sign your business’ death warrant.

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Your Aperture Is Sort Of Lying To You: When Is An Aperture Of F1.2 Not Actually A F1.2?

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When Is An Aperture Of F1.2 Not Actually A F1.2? By the time the light gets to your sensor, that’s when.

One of the first things we learn as photographers are F stops and how we can use them to properly expose a photograph, but there is also such a thing as T stops and we don’t always give them the attention they deserve. Of course, a T-stop may not be essential knowledge on every photo you take, but understanding what a T stop is will give you a better understanding of light, which is never a bad thing for a photographer to have. (It’s also helpful information to have in your bag if you’re going to be lens shopping soon!). And Matt Granger does an amazing job of explaining the difference.

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Quick Tip: Photographing a Reluctant Subject? Shoot From The Hip (Or From The Ear)

This has happened to me countless times and I wish I knew this tip back in the days when I was starting out. James Madelin (the ‘Orbis‘ guy) and Matt Granger (Get You Gear Out) just shared this incredibly simple, but useful tip on shooting shy people.

James’s tip shares a tip from his photojournalism days where he had to shoot people that didn’t really want to be photographed. His first tip is to shoot from the hip (which is kinda common knowledge), but it was his second tip that threw me off. Shooting people with the camera set against your ear while talking to them. They see the camera, they hear the clicks, they know they are being photographed, but somehow the fact that the glass is not standing between you and them makes them easier about the whole experience. The benefit of shooting from the ear over shooting from the heap is that you are shooting at eye-level and that you engage with your subject.

Now, of course, I would not recommend this for anything but photojournalism, as it may raise privacy issues, or start a small riot, but if you must get a frame for a paper, this could save your day.

[Photographing a reluctant subject | Matt Granger, James Madelin]

How To Photograph A Wedding With One Photographer, One Camera, One Lens and One Flash

In our recent article How To Make Money As A High End Wedding Photographer, we explored the high end wedding photography market.

But, it seems that the more I am able to charge for a wedding, the more complicated and stressful wedding photography becomes.

So recently I have decided that I would like to simplify my wedding photography a bit – get back to basics – unplug if you will.

how to photograph a wedding jp danko toronto commercial photographer

In this article I will take you through my simplified approach on how to photograph a wedding with just one photographer, one camera, one lens and one strobe.

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Build A DIY Slide Scanner For $10

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Example of the slide scanner by Barkergk

Here’s a quick DIY project that can help you convert your collection of old slide film collection into digital images by Instructables user, barkergk. The project calls for PVC pipe, a smartphone, and a few other items that can be easily sourced and the project itself shouldn’t take up too much of your time making it a great rainy day activity. Let’s get to it! [Read more...]

$7 DIY Diffusion Hack And Bonus Color Grading Tutorial All In Less Than 10 Minutes

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Film Riot is awesome. Where else can you go to learn how to make the world’s easiest DIY diffusion and get a free bonus lesson in color grading? We have them to thank for putting out this video clip that shows us how to save money by using a cheap shower curtain to diffuse lights for perfect lighting. And if that weren’t enough, they also let us join them for a walk through of their color grading workflow.
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