The creative process can sometimes be one of the most difficult aspects of a photoshoot. Think of all the time we spend mulling over ideas and concepts, trying to come up with up with a new project, until finally one sticks, only to be shelved even longer as we spend more time planning every last detail out. It can be a lengthy process, but it’s also really important. As Corey Rich explains in the clip below, the creative process needs to be nourished and encouraged to evolve, even after the shoot has started. [Read more...]
Tyler Stableford, a Colorado based fine art photographer, recently spent several months traveling through the United States working in collaboration with Canon on a portrait project titled The Farmers. In the seven minute long, Canon produced video, below, you’re invited to follow Stableford as he takes you behind the scenes of on one of his photoshoots, offering his insights and wisdom on how he goes about taking powerful and artistic portraits of real world subjects.
“Even if we’re in a beautiful area, a person’s face is so important to me, I’m always thinking ‘How shallow can I bring this depth of field,’ because I want the viewer to connect immediately and intimately to the subject and the subject’s face and eyes.”
As a photographer, I’ve always just kind of assumed the duties of turning the present moment into the past without ever considering the downfalls of that or, rather, without ever even realizing there were downfalls in the first place. It’s just who I am. I photograph people, smiles, laughter, cries, love, rebellion… I photograph moments, capture time at its most powerful junctures all in the name of preserving that specific instant for future reference. After all, isn’t that what photographers are supposed to do? We capture important moments, how could that be a bad thing?
Then I happened across ‘The Instagram Generation’, a short, philosophical performance film, which opens up with a statement that, admittedly, cut right through to my core as it somewhat covertly questioned the very existence I have come to love as a cameraman…
“The ‘Instagram Generation’ now experiences the present as an anticipated memory.”
It happened again about a week ago. The Conversation. You know the one. It starts innocently enough.
“You’re a professional photographer?”
“Yes. I am.”
“Wow! That must be so exciting.”
“No, I bet you go to all sorts of cool and exciting places, and meet lots of interesting people.”
And so on and so on.
With our ongoing look at the wedding photography industry, so far we have looked at “How to Become a Wedding Photographer in 10 Easy Steps” and “Why It Sucks To Be a Mid-Level Wedding Photographer”.
In this article, we are going to look at a wedding photography business model that is actually profitable and a viable career path for photographers – the high end wedding photography market.
Just a few days ago Instagram announced their Hyperlapse app which creates in-camera hyperlapse movies. Quality is not a stunner, but it definitely hint on the possibilities. Here is the trick, Instagram uses the in-phone gyroscope to stabilize the footage.
This is a great idea (as Ben noted), and in fact I think that all cameras should have a gyroscope built into them. In fact, I predict a trend coming in the next wave of camera to have a built in Gyro. For more than one reason:
I think I feel a bit of a rant coming on.
First a little background. Something you should know about me. One of the many reasons I decided to leave the practice of law almost ten years ago was the constant adversarial nature of the beast. I thrived on it in the courtroom, but the daily incessant back-and-forth bickering was just making me miserable. Of course there were exceptions, but not enough of them to sustain my collaborative spirit. My initial reaction when I switched to full-time professional photography had me excited in a way I hadn’t been in years. I was fortunate enough to meet and get to know some truly amazing photographers– generous, creative, collaborative people who were willing to throw open the vault and share so much of themselves. The breath of fresh air was as amazing as it was refreshing. To a certain extent, however, it was also fleeting.
Let’s take a look at three photographers almost all of us know.
Small animals are aware of humans and behave differently (or disappear entirely) when humans are present. This is why nature photographers often leave their camera with a remote (or simply rolling) to capture the natural behavior of those animals. And this is exactly what youtuber delicious fishes did when leaving some sunflower seeds and peanuts along with a rolling GoPro camera (all set up on a cute little stone table).
After being done with the food, the little squirrel seems to be feeling alone in the world and turns to the gopro to fulfill his emotional (and sexual) needs. Looks like the photographer did not appreciate the act: “Caught this perverted little buggar loving up my GoPro. Filthy little beast!
[Squirrel Humps My GoPro | h/t Jim]
After sharing Roy Two Thousand’s Burning Man timelapse a couple weeks ago, I decided that I could probably cut back on my timelapse addiction for a while. After all, it would be pretty hard to top the slick camerawork of R2K. At least that’s what I thought at the time. Then I happened to come across this beauty, Into The Night, which was created by Barcelona based photographer/cinematographer, Jordi de Temple and explores both, Barcelona and California. Jordi throws in some low lying clouds, a little milky way action, sweet motion blurs, some fun tilt shift scenes, multiple holy grails for good measure, and some profoundly gorgeous and cinematic wipe transitions. Even the musical arrangement was spot on.
I know I said I was trying to avoid relapsing back into a timelapse hole, but…Wow. I would have felt guilty had I not shared this one with you all. Enjoy!
If you have ever shot film, you know it – the feeling you get when you sit down with that stack of prints that just came back from the lab.
The nervous anticipation: Is there anything good in here?
The initial disappointment: Flipping through the first bunch of mediocre prints….meh, meh, ohhh…nope…meh…
Then you see it – its like getting a new bike for your birthday when you’re 10: The killer shot! Yesssss!!!
If you began your career with digital, you still know it – the feeling you got when you didn’t really know what you were doing and just when you were about to give up: Bang – there is a fantastic photo staring back at you from your screen.
I have noticed recently that I don’t get that surprise of a completely unexpected great photo very often any more, or the joy that comes with it.
I mean, I have a pretty good idea how any photo I take is going to look before I take it. Sure, I still produce a massive amount of duds compared to keepers, but it is rare that I capture something completely unexpected.
So, I though I’d share the stories behind a few of my favorite accidental photos.