Almost 30 years after the tragic explosion in Chernobyl, a film crew and correspondants for CBS visited the site to work on a story detailing the cataclysmic event. As part of the crew, filmmaker and photographer, Danny Cooke, was granted access to the site for a week long exploration. Cooke seized the opportunity to create a short film which documents Chernobyl from the perspective of his Phantom DJI 2. Equipped with a GoPro3+, Canon 7D, a guide, and dosimeter geiger counter to keep tabs on radiation levels, Cooke set out to capture the footage which you can see below. [Read more...]
Editor’s Note: I am a big SNL fan and I love their super stylish opening title sequence. The production of this sequence shows true mastery and understanding the photography format (they use freelensing, creative bokeh, light painting, tilt-shifting and just about any other creative tool out there). Alex Buono, the Director of Photography of the sequence shares how it was made.
…And we’re back! After a much-needed summer hiatus, it’s that time of the year again when my comrades in the SNL Film Unit all reconvene on the 17th floor of 30 Rockefeller Plaza for another season of filmmaking speed-drills.
While the usual shoot is a dead sprint from Thursday thru Saturday night, every few years we produce a new Title Sequence and that sprint becomes a 3-week non-stop marathon. Especially when it’s the 40th Anniversary season. The passing of Don Pardo — the legendary voice of SNL since 1975 — only amplified the feeling that this new sequence needed to be something extra special.
It’s hard not to love Joel Grimes. Not only is he a gifted photographer, but he’s also an outstanding educator and great source of inspiration. In the inspirational video below, Grimes’ down to earth, you-can-do-this personality shines as he talks about what makes a photograph great–and it might not be what you’re expecting to hear.
Sure, we all know proper exposure, interesting composition, and well executed focus are definitely ingredients for a great photo, but as Grimes explains, beauty still lies in the eye of the beholder. In other words, no matter how technically outstanding your work it, not everyone is going to like it. Grimes compares it music. We all have different tastes when it comes to our musical choices. Just because you might not agree with someone else’s taste in music, it doesn’t mean it’s bad. The same can be said of your photography. Just because someone doesn’t like your work, it doesn’t necessarily mean it’s not good–it just means it wasn’t for that person. [Read more...]
We have covered quite a bit of bullet time rigs but even the really high-end ones usually use an array of GoPros which are not the cheapest way to get a good bullet time shot but is it manageable.
A collaboration between Swiss TV station and Swiss Canon upped the game by making a bullet time rig with 50 Canon EOS 1DX DSLRs (yes that’s a 5 followed by a zero). A single one of those bodies is about $6,800 so it totals up to roughly $340,000. Oh yea, they needed lenses too. Weapon of choice was Canon’s top notch 24-70mm f/2.8L II USM. Those roughly cost $2,100 a lens. So we are looking at an additional $105,000 of lenses, bringing the total (with some memory cards, cables and 50 bubble levels) to just about half a million Dollar’s worth of gear.
Photographer and parkour athlete Jason Paul has created a stunning collection of images with his “Man & Mortar” project. The images are inspired by the poses of ancient statues and monuments while using London as its canvas.
Jason Paul photographed a fellow parkour athlete and World Champion Free Runner Tim Shieff. In his review of the project, Jason states:
Brooke Shaden is the kind of inventive photographer who prefers to do-it-herself rather than spends wheelbarrows of money on expensive studio lighting and modifiers. Instead, Shaden challenges us to get creative with what resources we have available to us. In this case, it was one or two basic house lamps from Ikea. (And if you really want to get elaborate with your set up, she also explains how to use a tissue to diffuse the light from the lamps.) [Read more...]
These “Tiny World” GoPro videos seem to pop out of nowhere from time to time, and we love them because up till a few years a go you needed to be a big agency with a ton of budget to make one, but now, it is just a few gopros. Red Bull however took this whole trend to the next level by capturing one of their athletes surfing in 360°.
As it is explained on Red Bull’s website, the camera crew strapped a meter long pole to the athlete’s body (because putting the 4 GoPro cameras on his helmet would both fail to capture his face and the entire bottom would be his body). The final result is one of the best-executed “Tiny World” videos I’ve ever seen.
This is pretty awesome. Scientists at Harvard Science Demonstrations put out a video earlier this year that let’s us see air moving with our naked eye. The team assembled some Schlieren optics (which we’ve talked about before) by reflecting a light source from a concave mirror onto a razor blade. The optics are setup in front of a camera to record as they demonstrate the process with a hair dryer, an air filled helium balloon, and a big glass full of sulfur hexafluoride gas. You can get a preview of the setup in the image above, but be sure to watch the video for the full effect, especially if you’re not familiar with Schlieren. [Read more...]
In order to celebrate the unholy amount of snow that just fell on my neighbors in Buffalo and Western New York (how does two meters or six feet of snow in November sound to ya?), I thought I’d share a few of the stories behind some of my favorite winter photos.
When it’s cold and snowy, it can be hard to find the motivation to pull your camera out, so hopefully the stories behind these photos might inspire a few winter photography moments. Because, winter is coming.
There are many times we write about how the photography market is changing. How photographers are perceived to bringing less value to projects and how they are perceived to be worth their gear and nothing more. Heck, we posted an open letter about this today.
But while we have been mainly highlight the small business photographer, a recent interview by PDN reporter Amy Wolff with photographers’ rep Julian Richards sheds some light a similar process is happening at the very high end market as well.
Mr. Richards had a successful photo rep agency for over 20 years and at times his roster included photographers such as David Barry, Chris Buck, Michael McLaughlin, Dana Gallagher, Sian Kennedy, Greg Miller, James Smolka and Henrik Knudsen. A pretty impressive team. Yet, after 20 years he decided to quite. The interview is filled with painful insight from Mr. Richards.
The most striking thoughts comes when Mr. is asked about how the industry changed. (Bolding is mine)