For a while now, Aperture has been Apple’s signature professional photo management app, similar to what Final Cut Pro and Logic Pro have done for video and music. After WWDC, however, things looked a bit bleak for the software after Apple announced its rollout of its new Photos app – the keynote went by with no mention of any updates on Aperture itself. Today, it’s been confirmed by the company that development on the software has officially ended.
After all the leaks and rumors that we’ve already been given on the camera, the Nikon D810 has now officially been announced. Appropriately named, the D810 is an upgrade to the Nikon D800 in the same way the iPhone 5S is an upgrade to the iPhone 5.
We’re only hours away from the official announcement, and details are already starting to leak for the upcoming Nikon D810. Here’s our first look at the specs for the new DSLR, thanks to Expertreviews uploading their review of it a bit too early.
As advanced as smartphone cameras are today, they’re still limited by the size they need to be. As a result, most smartphones have a fixed aperture to save space; the iris itself is mad from fixed blades that set the aperture for each camera. But as always, in a time where mobile devices are so engraved into the modern lifestyle, technology is constantly reaching higher ground. In this case, that higher ground is reached by a new type of iris – one made of chemicals that eliminate the need for physical blades.
Harry Potter and the Half-Blood Prince is one of those films that I have a bi-polar appreciation for. Because of the decisions made by the studio to build momentum up to the last two films of the franchise, the sixth installment ended abruptly and anticlimactically. Along with that is a number of other criticisms I have with it, almost all of them relating to differences between it and its book counterpart, and I’m pretty sure they make the Half-Blood Prince my least favorite film in the Harry Potter series. But where this film polarizes me is in its cinematography, which is arguably the best ever done by the series altogether.
Out of all the films in the series, Harry Potter and the Half-Blood Prince is the only one that was nominated for an Oscar for Best Cinematography; that fact isn’t a surprise at all, either. The cinematographer behind this film was Bruno Delbonnel, who’s also known for his work on Amelie, as well as the recent Coen Brothers’ film Inside Llewyn Davis. He may arguably be the most well-recognized cinematographer the Harry Potter series ever had.
There’s resources available online that can teach you almost anything you want to know. It’s funny how at this point in time, we can learn almost everything college has to offer; unfortunately, the only thing we can’t get is an actual degree. But either way, for those of us who are always hungry to acquire a new skill, there’s always a way to do so. For those of you that are filmmakers and videographers, here’s a video that introduces you to the basics of cinematography within the span of about forty minutes.
Apple’s new iOS software‘s been in beta mode for about a few weeks now, and that’s been plenty of time for developers (and tech enthusiasts) to get familiar with the features iOS 8 has to offer. One area iOS 8 brings the most improvement to is the Camera app itself, and we now have a much better idea of what the features it comes with are like.
Over on YouTube, you can check out a number of videos that go over how the camera utilizes time-shift and manual exposure. As expected, Apple implements the features so they can be used in the easiest way possible. The time-lapse is started up by swiping to its respective panel and simply pressing record. As for the manual exposure, the controls are activated when you tap to focus; the exposure then gets adjusted by swiping up and down.
After a loss in camera sales over the past year, along with a bit of controversy, Nikon is announcing a shift in business strategies. According to Reuters, Nikon is planning to invest $1.96 billion into alternative growth fields, medicine being a significant one.
Facebook’s been expanding like no other social network before it for quite a while now; with the acquisition of apps like Instagram, or companies like Oculus, it’s clear that this is a website relentless in its business strategies. Just about a year back, Facebook attempted to purchase Snapchat for $3 billion, and Snapchat declined. After that, they successfully snagged WhatsApp in exchange for an unbelievable sum of $16 billion. And I’m not too much of an expert on the matter, but if a company’s paying four times what the Star Wars franchise was sold for for an app, it’s safe to say they’re not messing around when it comes to expansion.
Considering Snapchat turned down the company’s offers, Facebook decided to develop something of their own: a new app called Slingshot. Designed to be similar to Snapchat in terms of its basic concept, Slingshot has now officially been unveiled.
For those who may not know, The Daily Show with Jon Stewart is a satirical fake-news show that airs nightly in the US on Comedy Central. Jon Stewart’s been hosting it for about 18 years now, and it’s become fairly well known these days for giving more factual information here than actual news networks.
Just before last week ended, Jason Jones – a correspondent on the show – did a segment on Google Glass and the people who wear it, comparing the discrimination they endure to the hardships of the 1960s Civil Rights movements. With all the controversy that surrounds Google Glass today (or even smartphone cameras), sometimes we forget the amount of absurdity that comes with it. Whether it’s getting turnt up on a group of 20-year-old Glass explorers, or going out onto the playground with his own homemade Google Glass, Jason Jones makes us remember that absurdity all over again.
This video also marks the birth of the term “iDouche”.
[Via The Daily Show]