It’s been over two weeks since I bought a new pair shoes and I still haven’t worn them because I wanted to take one last picture of them. Last week I did a lighting tutorial on how to photograph shoes, on this tutorial we will add some splashes to the shoes and do a step by step tutorial on how do one yourself.
I recently bought a new pair of shoes and before I use them and get them all dirty (as I always do in two seconds), I wanted to play around with them for a bit. Here is a step by step tutorial on how I made the shoes looks so fine. I tried to shoot them as straight out of the camera as possible, there is just some very minor editing to be done at the end.
I’ve been making different product photography tutorials for awhile now and I still regularly go back to a previous posts because I am still using the same techniques. I wanted to make a single point of contact for functional tips on improving your product photography.
I’ve already used those DIY reflectors in a couple of my articles but I’ve never actually did a full post explaining how they are built and used. I want to show you how easy it is to make this reflector and how useful it can be. Definitely a good use for $1.50. It actually takes around 5 minutes to make it and you can make it as big or small as you need.
I have been writing for DIYP for over a year now, and I can’t believe I haven’t written an article on how to create milk splash shots. It is, after all, one of my favorite things to do (and it is amazingly easy). So, here it is. This will be a two part article. In this article we will be doing it outdoors using only ambient light and reflectors and next week we will bring it indoors using strobes.
One of the things I used to hate when perusing my path as a photographer is when I reached a point where I was uninspired to shoot, or I’d reach a point where I’d feel that my best work is behind me and there is nothing new I can do. These creative dry spells used to happen to me from time to time and I know it happens to everyone so I want to share what I personally do to overcome this feeling.
Usually, I prefer to get stuff in camera (even if it means light painting my subject). But sometimes Lighting or space limitations will make getting the picture in-camera hard or simply not worth the effort. When such situation strikes go for a composite. If you only have little gear, this technique will also help you get a more professional look in your images.
I live in the Philippines. Not everyone here can afford going to school, let alone having a decent graduation portrait. Last month a friend contacted me and told me she was looking for a photographer for her project – free graduation pictures to the less fortunate.
When I heard about this Project I immediately contacted a photographer friend, Jay De Guzman, and my girlfriend, Jubcy Sebastian to also help out with the project.