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Have you ever knocked on the door of the bride’s suite on the morning of her wedding, camera in hand, ready to go – only to find some guest already there with a better camera than you?
Well, this has actually happened to me on more than one occasion (which either says something about my gear or the confidence brides have in my abilities), but what happened this past weekend was unique.
Read on and I’ll share the story.
With our ongoing look at the wedding photography industry, so far we have looked at “How to Become a Wedding Photographer in 10 Easy Steps” and “Why It Sucks To Be a Mid-Level Wedding Photographer”.
In this article, we are going to look at a wedding photography business model that is actually profitable and a viable career path for photographers – the high end wedding photography market.
If you have ever shot film, you know it – the feeling you get when you sit down with that stack of prints that just came back from the lab.
The nervous anticipation: Is there anything good in here?
The initial disappointment: Flipping through the first bunch of mediocre prints….meh, meh, ohhh…nope…meh…
Then you see it – its like getting a new bike for your birthday when you’re 10: The killer shot! Yesssss!!!
If you began your career with digital, you still know it – the feeling you got when you didn’t really know what you were doing and just when you were about to give up: Bang – there is a fantastic photo staring back at you from your screen.
I have noticed recently that I don’t get that surprise of a completely unexpected great photo very often any more, or the joy that comes with it.
I mean, I have a pretty good idea how any photo I take is going to look before I take it. Sure, I still produce a massive amount of duds compared to keepers, but it is rare that I capture something completely unexpected.
So, I though I’d share the stories behind a few of my favorite accidental photos.
I can’t believe that its late August and summer is almost over. It seems that every year I have a list of summer time photo sessions that I never get around to.
One thing I have had on my list for a while now is white water kayaking photos.
There is a world class white water course just down the road from one of the cottages we spend time at every summer, yet somehow I never end up with enough time to get out and photograph the kayakers.
Well, this summer I finally made time for it – and as it turns out, white water kayaking photos are surprisingly much more difficult than you might think!
In this article, I will share the thought process, camera settings and post production behind this series white water kayaking photos.
I recently spent a long weekend with friends at their cottage up north (“up north” is Canadian for not in the city and not in the USA).
Of course, I spent a portion of my time with my camera (or more accurately cameras – because who goes away with just one…), and the inevitable question was asked by my friends:
Why bother carrying that huge camera around – couldn’t you just use your mobile phone?
In this article, I will explain two beautiful natural light photography techniques that you can’t do with an iPhone.
In a world of over-saturated color, candyfloss HDR and fake vintage film apps, its easy to forget about the simple allure of black and white photography.
Its also easy to forget that Lightroom has a fantastic set of black and white conversion tools built right in.
In this Lightroom tutorial, I will take you through my Lightroom black and white conversion workflow step by step.
After coming back from a family vacation to Florida and downloading all of the images from the trip, I have come to the conclusion that Florida just might be the worst place in the world to take good photos.
If you’re not sure where I’m going with this, I think this photo pretty much sums up the photographic opportunities Florida has to offer.
Read on and let me explain!
Most photographers have been there at some point in their career – wedding photography.
Some of us move on to other things, like commercial photography. Some actually enjoy wedding photography and make a career out of it.
But too many photographers are lured into wedding photography under the illusion of quick money, only to get stuck in the evil clutches of the mid-level wedding photography market forever (or until they give up and find a real job).
Lets be honest here. Wedding photography can be fun with the right clients – but it is always a colossal amount of hard work.
And life as a mid-level wedding photographer sucks.
In this article I am going to share the wedding photography business plan that is followed by the overwhelming majority of wedding photographers on the planet – and why it is not a sustainable way to make a living.
You may have heard the controversy around the recent Barrons article GoPro’s Thrill-Filled IPO Adventure May End Badly, by Alexander Eule that caused GoPro’s stock to take big hit in response.
It even sparked a rebuttal by Gizmodo: No, Smartphones Aren’t Going To Kill GoPro by
Well, you’ve heard it here first – smartphones aren’t going to kill GoPro – but licensing ripoffs and boring, stylized GoPro content created and shared by bad videograpers will.
Keep reading and I’ll explain.