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The Ultimate 365 Project Guide Part IV

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The third part showed you some really great motivation techniques to keep going. On top of that, Part III demonstrated how your bad days are as valuable as your good ones. Part IV revolves around the most precious thing a photographer can achieve: a unique signature.

In the first part of the Ultimate 365 Project Guide I briefly described the four stages of growth. The final and most important stage is creating your very own style of photography. Let me show you how basically everyone can achieve a unique signature with the “Helsinki Bus Station Theory” and how your 365 project will help you here.

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The Ultimate 365 Project Guide Part III

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Marius Vieth – To The Limit!

It’s time for Part III of the Ultimate 365 Project Guide! The second part covered the golden rules, how to turn failure into success and why the battle royale of your own photos helps you improve in the long term.

Part III Revolves Around The Most Important Ingredient Of Your 365 Project: Motivation.

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The Ultimate 365 Project Guide Part II

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Marius Vieth – Ice Cream

In Part I of the Ultimate 365 Guide I explained whether a 365 project is meant for anyone, where that journey might take you, why it’s important to actually walk a 1000 miles and how the love for the process is more valuable than the desire for the goal. So let’s start off with something very essential to every 365 project:

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When Common Sense Breaks Down: Why I Bought A Mirrorless Camera And Keep My DSLR (And Bunch Of Film Cameras As Well)

Benn Murhaaya - http://murhaaya.com

I read the article by Martin Gillman about moving back from mirrorless to DSLRs which was published on DIYP a while back and had to respond.

To get some background on me, I am amateur photographer, in the original meaning of the word (lover of) and also in the sense, that I don’t shoot paid gigs anymore. I used to work as a concert, event photographer, shooting around 20 gigs a week. For seven years, I’ve been a staff photographer at Prague based tattoo and body mod studio Hell.cz again shooting gigs and shows, at current time I am working with few pantomime theater groups besides doing my own stuff that ranges from building pinholes to shooting and developing 4×5 slide film with a view camera. (see murhaaya.com for yourself)

I mentioned the gigs to give you some idea, that I’ve sort of been around the block and I am not blabbing about something I don’t know anything about. My main workhorse now is still a Canon 5D Mark II with a four prime lenses ranging from 24/1.4 to 85/1.8. No zooms, that’s how I roll. You roll however you like.

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The Ultimate 365 Project Guide Part I

365-1-06 One and a half years ago I decided to start a 365 project to take my photography to the next level. I expected to make some progress, but that it completely changed my life was beyond my wildest dreams. What happened afterwards was even more exciting. A 365 is one of the most incredible projects a photographer could experience.

In Case You Are Psyched To Start Your Very Own 365 Project, Why Not Read The Ultimate 365 Guide First?

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Gear Avoidance Syndrome: It Might Be Healthy For Your Photography

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GAS, also known as Gear Acquisition Syndrome, is very common among photographers. It simply means that you just can’t get enough new lenses, equipment and upgrade your cam as soon as possible in order to have more options and – according to the seemingly prevalent opinion – become better. But have you ever thought about the opposite side of this imaginary disease – the Gear Avoidance Syndrome? A syndrome that might even be good for you and your photography. And your wallet.

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Eliminating Fill Flash Hard Shadows – A Controlled Test

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Defining the problem: While shooting a portrait outdoors, I usually add a fill flash to eliminate any “racoon eyes” and dark shadows on the face. The fill flash is set set at 1.7 stops under exposed for a light touch. My setup is a Nikon D600 with Nikon SB700 flash (mounted on the camera’s hotshoe) using TTL metering at -1.7 EV. In the example the lighting on the face is good (soft & directional) but you can see a hard shadow on the right side of the subject.

We have options…

There are a few options available, and in this test case I wanted to compare them

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When love breaks down: Why I sold my mirrorless camera

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Many of you will recall that I wrote a blog some months ago entitled ‘5 reasons why your DSLR is obsolete in today’s world’ and that, to say the least got a lot of people talking. It also drew much comment. We saw the hard line DSLR users spitting feathers, others crying ‘clickbait’! Clickbait? Isn’t it all just that? Well, all I can say is … darn, you clicked it though didn’t you? In fact, almost half a million of you did. Shouting clickbait on the internet is like running out into the street and shouting ‘don’t breathe air cuz they want you to’ it’s obvious and slightly moronic. This is just discussion, that’s all, its not important.

Anyways, the piece really was sincere and the reactions were expected. But we listened to your voices and today in the good name of balance, I write my own response … to myself. If you will excuse me I shall feel free to contradict.

So, why are all these CSC users so smug? Seriously they don’t shut up, heaven knows if they even have time for Making photographs when they seem to spend most of their time online forming clubs and chatting about how much they love the manufacturers and their trendy products. They openly seem to congratulate the ‘brand’ for their personal enthusiasm and successes if any. How can this be so? Surely it’s all nonsense? Surely it’s just a ploy to attract the brand attention and nail down some kind of preferential treatment or Ambassadorship? It’s smugness extreme and leaves me a little suspicious you know. Oh, the lion stirs.

So balance as promised, lets look at this from the die hard DSLR fans perspective, lets take a little shine off that squeaky clean mirror less polish.

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Spoil Your Point and Shoot By Making it A Waist Level Shooter

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If you are missing the good old time where decent cameras shot from the waist, or if you just wanna shoot from the waist like they do in all the big fashion productions of the 80′s, then this is a tutorial for you.

The idea spans around taking a Canon powershot N (or a similar camera with a tilting screen) and adding a rectangular piece of wood (8x6x5.5cm) changing the camera into a Rolleiflex lookalike.

The idea is described in the schema below:

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How to Make a Pro Looking ‘IceLight’ for less than $30

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The Ice Light by Westcott is a $450 light source that many photographers swear by. It is a powerful, variable LED light that can be hand held and gives a nice directional strip-like spread.

Then again, it costs $450, which is no peanuts. If you are in the photography stage where you have more time than money, photographer Justin Barr made a DIY version that looks pretty nifty. Details, after the jump.

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