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Regarding the Photographing of Plus-Size Clients


I read a couple statements today by photographers who will not show plus-size clients in their portfolio because they don’t want to attract plus-size clients. And I have to give my two cents on this, because well, it’s what I do.

As photographers, we meet people where they are. We photograph skin with all its beautiful shades; we photograph people in love; we photograph those beginning their journey in life, and those, like the elderly couple with all their glorious wrinkles, who are just finishing it.

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I switched from Canon to Nikon To Medium format to Canon Again


I love Canon cameras, I really do and it was with great regret that I moved away from Canon last year after being an EOS system user my entire life. I started when I was 5 years old on my fathers EOS 300 film cameras and have then enjoyed every camera up to and including the 5D MK3, but there was a problem.

I’m sure it wasn’t just me, I’m sure a lot of other pros felt like Canon wasn’t listening. The fact that it felt like I had been abandoned by the system I’d bought ito throughout my career hadn’t come at a great time – I was at a crossroads in my career and wanted to make the jump into medium format, I couldn’t then still have my Canon cameras as they weren’t a viable backup with the vast difference in resolution – to me the only option looked to me to jump over to Nikon and use their D800 bodies as backups for my Mamiya Leaf & Credo system that I had bought into. I wasn’t the only people thinking about the switch, it was a conversation that was becoming more and more common when I caught up with other photographers, there seemed to be a general feeling of frustration at Canon.

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Women vs. Men


Men photographers…listen up, you need to be more like women.
Women photographers…listen up, you need to be more like men.

Men need to be in touch with their feminine side in order to be better photographers and women need to stop being so feminine in order to be better photographers.

Am I the only one that feels this way of thinking is whacked? I mean, one taco short of a combination plate kind of whacked?

If you hear this advice coming out of any speaker/coach/workshop-giver’s mouth…run. Run far. Run fast. Don’t look back. Just pull a Gump and “Run, Forrest, Run!”

And it troubles me, because when you are standing in front of a client with a camera in your hand, you aren’t a male photographer or a female photographer…you are simply a photographer. Or at least, that’s how it should be.

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12 Different Types of Wedding Photographers and How to Handle Them

London Wedding Photographer

Wedding Photographers are a breed apart. But did you know that there are many sub-species within this group, all with their own distinctive habits? Even wildlife presenter David Attenborough would be fascinated to study these strange, wild creatures out in the field.

Selecting the right type of wedding Photographer is an important decision. You’ll be spending almost as much time with your Photographer as with your spouse on the day – so make sure you are compatible!

Many species of them have been discovered in their natural habitats – always chasing the best photograph! From our extensive research of all the wedding Photographers in existence out in the wild, the main types are listed below, along with their distinctive characteristics, their mating calls and some survival tips for you to cope with them – and their funny little ways: [Read more…]

Available Light Photographer Scared by Darkness: a short story


An excerpt from a new short story I’m working on:

They say it’s impossible to feel the Earth’s rotation, but standing in the meadow, the last rays of the setting sun warming my face, I feel it. I glance at my clients, sitting on the orange couch (because Victorian red velvet is so yesterday) and I wonder if they feel it, too.

The Earth is turning toward darkness and there is nothing I can do about it.

And maybe I don’t feel it as much as I hear it: an almost imperceptible ticking, like a time bomb counting down. I feel the darkness closing in, creeping ever closer.

I have mere minutes before I lose my light source and we aren’t close to being finished. This family of 8 will not be together again for years. They are counting on me. ME! I have no idea what to do. And really, nobody would. That thought gives me comfort.

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15 Statements Poor Photographers Say that Rich Photographers Do Not


My client Mark Victor Hansen has sold over 500 million books, more than almost anyone in history for non-fiction. While preparing to go on stage one day giving a motivational program with the legendary Tony Robbins, he asked Tony, “Tony…..How come you make so much more money than me?”

Tony Robbins then asked the question, “Who do you mastermind with?”

Mark replied, “Everyone I mastermind with makes at least one million dollars a year.”

Tony Robbins then replied, “Everyone I mastermind with makes at least one billion dollars a year!”

Who we surround ourselves with makes a huge difference. I have heard it said that if you tell me how much your five closest friends make, I’ll tell you how much you make.

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Approach or Steal?


I would like to bring up an issue of principle which is connected to photographing people and portraits. One that each photographer has a different opinion and personal way about doing: Do I, as a documentary photographer, need to approach and ask the permission of my subject of photography to take their photograph, or do I “steal” the desired image without them knowing about me doing so?

The biggest advantage when we take a photo without our subject knowing about it is – Authenticity. When a person doesn’t know he’s being photographed, he acts naturally, doesn’t react upon us as photographers and doesn’t feel the need to impress. He acts exactly how he would if we didn’t notice him at all. In this article, I use the verb “steal” for a reason.

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Canon 5Ds Teardown

All photographs Roger Cicala, Lensrentals.com, 2015

All photographs Roger Cicala, Lensrentals.com, 2015

When Lensrentals.com first got the first Canon 5Ds and 5D sr cameras in stock, Aaron and I immediately started screaming that we wanted to take one apart. It turns out we received enough 5Ds cameras to let us have a day with one to do just that. Of course, we don’t expect to find out anything amazing and revealing. We expect it will look pretty much like the Canon 5DIII and 7DII on the inside. But hey, you never know. Plus we’ll be repairing these soon enough, so we might as well find our way around now.

If you want to do some comparisons yourself, you can compare this to our Canon 5D III teardown and Canon 7D II teardown. Or if you’d rather follow along from home with your own 5Ds go grab your screwdrivers and let’s get started!

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Canon 5DS and 5DS R Initial Resolution Tests

Yes, I had to. A cheap cell-phone pick of the highest resolving SLR cameras made just seemed so wrong that it had to be done.

Like everybody else, we’re pretty excited to get our hands on Canon’s new 5DS and 5DS R. There are already a lot of hands-on articles about the cameras that probably have told you more than you need to know to make your purchase decision. Of course, for most of the Canon shooters who read this blog, the purchase decision was just which place you want to buy it from.

For me, I want some lab data to see just how much of a difference those megapixels make. More particularly, I want to see how much of a difference they make when shot through a reasonably good lens, an excellent lens, and an adequate lens. Some people want to simplify things too much and claim certain lenses are ‘good enough’ for the new cameras and others aren’t. It’s not that simple.

So we begged and threw temper tantrums until Drew agreed to let us have a couple of the new cameras for a couple of days testing in our Imatest lab. That was enough time for us to get a quick overview using several different sample lenses, but it will be months before we have a good database of which lenses are most capable on the new cameras.

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