The Camera That Holds The Title Of Most Used On Flickr Might Surprise You

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The Canon Rebel T3i is the first dedicated camera to show up on the list. (Photo: Canon T3i by Andy Malmin)

In fact, the cameras that hold the title of not only the most used, but also the second, third, and fourth most used cameras on the popular photo sharing website might grab your attention. Chris Gampat from The Phoblographer, did some researching on the matter recently and discovered that the usual suspects from Canon or Nikon don’t even make the list until the 5th place slot. Do you know which camera model holds all the glory? If you guessed Apple, pat yourself on the back. The iPhone 5, the iPhone 5s, iPhone 4s, and iPhone 4 round out the top four, respectively, while Canon finally makes it on to the board with their Rebel T3i claiming fifth. [Read more...]

Someone Put A GoPro In An Owl’s Nest; Owlets Give It An Adorably Thorough Investigation

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We’re all getting a little anxious to get our hands on a the new GoPro 4, so, while you’re waiting, here is another installment of adorable animal footage captured with a GoPro to serve as a little inspiration. This time the team over at AS Goprod helps us get acqauntaied with a curious owl and her nest of fledglings that are impossibly adorable. The clever photographer must have noticed the owls nest and secured a GoPro onto the branch directly in front of the nest. (Note to self: put GoPro in front of owls nest.) 

The footage the photographer was able capture of the highly inquisitive birds is perfect beyond words, take a look:

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Hiring An Assistant Without Jeopardizing Your Business

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Sooner or later, most of us photographers find ourselves in need of an extra set of hands or feet for a particular project, whether it’s a second shooter (no JFK jokes, please) at a wedding, managing gear and lighting on a commercial shoot, or stabilizing the flower balanced on top of a rocking horse sitting inside an adorable bathtub for that oh-so-cute newborn shoot. Most new photographers and sole proprietors, myself included on numerous occasions in the past, think nothing of pulling in a friend or relative to help out in their time of need. And while that may be fine for personal projects, having that modus operandi in your business can get you into some hot water. I’m not talking about how nice it is to have someone to share the work or how cool it is to refer to someone as “my assistant” (which, admittedly, is pretty awesome…until they break something); I’m talking about, when you DO pull someone else in to help out, making sure that all legal ramifications are met and you do not sign your business’ death warrant.

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Your Aperture Is Sort Of Lying To You: When Is An Aperture Of F1.2 Not Actually A F1.2?

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When Is An Aperture Of F1.2 Not Actually A F1.2? By the time the light gets to your sensor, that’s when.

One of the first things we learn as photographers are F stops and how we can use them to properly expose a photograph, but there is also such a thing as T stops and we don’t always give them the attention they deserve. Of course, a T-stop may not be essential knowledge on every photo you take, but understanding what a T stop is will give you a better understanding of light, which is never a bad thing for a photographer to have. (It’s also helpful information to have in your bag if you’re going to be lens shopping soon!). And Matt Granger does an amazing job of explaining the difference.

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“Knock Knock”, an animated love-story spread over 14 displays

It is a very wise decision to create something amazing as your first music video. Ukrainian band “Brunettes Shoot Blondes” did just this for their first single “Knock Knock”.

It’s 2:27 minutes of awesome animation using 14(!) Smartphone and iPad displays. This clip was created by Kirill Svetashov (DOP), SYT-X (animation) and the Band themselves.

So lean back and have some fun this morning with these 2.5 minutes of pure creativity. (Besides, the band really has an awesome name)

Quick Tip: Photographing a Reluctant Subject? Shoot From The Hip (Or From The Ear)

This has happened to me countless times and I wish I knew this tip back in the days when I was starting out. James Madelin (the ‘Orbis‘ guy) and Matt Granger (Get You Gear Out) just shared this incredibly simple, but useful tip on shooting shy people.

James’s tip shares a tip from his photojournalism days where he had to shoot people that didn’t really want to be photographed. His first tip is to shoot from the hip (which is kinda common knowledge), but it was his second tip that threw me off. Shooting people with the camera set against your ear while talking to them. They see the camera, they hear the clicks, they know they are being photographed, but somehow the fact that the glass is not standing between you and them makes them easier about the whole experience. The benefit of shooting from the ear over shooting from the heap is that you are shooting at eye-level and that you engage with your subject.

Now, of course, I would not recommend this for anything but photojournalism, as it may raise privacy issues, or start a small riot, but if you must get a frame for a paper, this could save your day.

[Photographing a reluctant subject | Matt Granger, James Madelin]

Building A Photo Booth Using A Gopro Camera, Some Led Lights And A Doorbell

I offered our good friends to build a photo booth for their wedding to be held here in Berlin Germany. They had already been asking around and searching the web for a solution without any luck.

I immediately knew that I wanted to make a fun automated contraption that mimicked something from an amusement park, rather than just setting up a DSLR with an umbrella etc. as it needed to be something different that people would relax in front of and not feel intimidated by equipment.

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I also knew I wanted to use a camera with an extreme wide angle lens as it creates dynamic and fun images, plus it needed to be a rugged but highly portable solution that I could throw in a cab when going to and from the party. So the choice for integrating an action camera like the GoPro was given.

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Dear New Photographer…

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I’m writing this post because I was up late last night on a Facebook forum, reading close to 200 comments about new photographers and what slime they are to the industry. How they’re stripping photography of it’s “art” and destroying any decent business practices. I read every comment, feeling more and more sick to my stomach the further I scrolled down the page.

“Who do these people think they are? Don’t they remember when they were new and making all the same mistakes?”

I know this year has probably had it’s ups and downs for you; the excitement of booking your first paid gig, the confusion of all that “must have” photography gear and the hurt and guilt of being single-handedly blamed for “ruining the industry.” I know the phrase “what to charge for engagement photos” is probably one of the first things to come up in your Google search bar, and secretly you’re still wondering why using the eraser tool in photoshop is such a horrible thing.

I also know that you’re afraid to ask for advice at every turn because for every established photographer that is willing to help, you’ve got 30 more breathing down your neck that are doing everything they can to cut you down. I’ve been there too – I’ve had my work ripped apart online by a “reputable” photographer (who went out of business earlier this year), I’ve bought things I didn’t need because some famous photographer endorsed them and I thought it would make a dramatic improvement in my work (it didn’t), and I’ve used the crap out of the eraser tool (layer mask, folks).

So what I wanted to do here is give you a heads-up. A bit of a rant mixed with some advice I wish I had known in the beginning, this is just about everything I wish someone had told me the first day I got that used and slightly beat up (but still very new to me) camera in my hands.

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